When you stumble across yourself

You know those moments when you stumble across yourself on the vastness we call the web?

Lily and I some years ago. No, I am not sleeping. I’m working on sewing a sewing case. I think this was just before or just after the Sunday shower.

Here is one of those moments. Given how often I lament about not seeing the photos I hear or seeing being taken, I should be happy to see these. But, goodness, can’t I have a pleasant expression when people take photos?  (Just do not try to look at the other photos from which I took these.)

This is at a tiny local event some years ago. We attended on the invitation and encouragement of Barb, who you can see in the lower photo on the left. She has put together a nice Widows and Orphans Relief Society impression, which is a nice platform for teaching. Knowing there would be a canopy of trees, we skipped the canvas and followed the shade through the day. We really did develop a bi-hourly routine of picking up the table and inching further into the shade. As such, I started the day with my bonnet. As the day progressed, the tree took ownership of the bonnet.

From left to right, Barb, Gail, myself and someone who joined us for a short while.

 

For us this was a demo and teaching event. I brought sewing cases to work on. Lily demonstrated writing with pen and ink. Gail brought her drop-spindle and wool. Each demo was one that could easily become hands on to the many children in attendance. People were fascinated by Lily’s writing. Actually, there were moments when fascinated simply was not a strong enough description. Through the day others joined us with sewing projects of their own.

Published in: on January 22, 2015 at 4:00 pm  Leave a Comment  

“The Greene/Green Swap” FanU Swap – Sign-up Day

GreensToday is the day to sign-up for the FanU “The Greene/Green” Swap!

For “The Greene/Green”  Swap, Swappers have 2 options. The Greene Group will exchange early to mid nineteenth century appropriate cotton fabrics that reflect a component of Susan Greene’s work in Wearable Prints. The Green Group will exchange Green color fabrics from the 19th century.

We will mail our fabrics on January 30th.

Please read all the details below. 

To Sign-up, simply comment below with your email and mailing address. (I’ll erase those before approving your comment, so the whole world doesn’t have that info.)

What is a Swap?

This is a chance for to exchange fabric with a small group of people. Each group will have 8 people exchanging pieces of fabric. All you need is a half yard of fabric and envelopes along with your copy of Fanciful Utility.

To Participate:

1: Sign Up Day!
On sign-up day, groups will be assigned on a first-in basis; the first eight will be the first swap group, second eight in the second group, etc. **Please be certain you will be able to fully participate by mailing your fabrics on the Mail-Out Date.**

The Greene Swap Sign-Up Day: January 20th

 

2: Mail-Out Day:
Place a 9×9″ piece of fabric suited to the mid-19th century in envelopes for each of the 7 other people in your swap group, stamp them (be sure to double check at the post office, but the small 9×9″ pieces should mail in a regular envelope with a normal stamp), and send them off no later than the Mail-Out Day.

The Greene Swap Mailing Day: January 30th

 

3: Get Fanciful!
Use your Fanciful Utility templates and techniques to make a project from the book, or copy your own from 19th century sources. We’ll all look forward to seeing your projects! You don’t have to sew right away, but don’t keep us waiting forever to see all the fun things!

(If you need a copy of Fanciful Utility, you can purchase them from the publisher at www.thesewingacademy.com

Fabric Guidelines:

  1. For the cotton and silk categories, your fabric should be early to mid-nineteenth century appropriate. (If there is a want for an earlier or later group, we can do that.) Prints and motifs should reflect those available in the 1840s, 50s and 60s. Cotton should be 100% cotton. Silk should be 100% silk.
  2. To keep the swap and sewing possibilities interesting, please avoid solids as best we can.
  3. Fabrics that do not work well for sewing cases should not be swapped. These include sheers, gauzes, heavy, thick, easy-to-fray, slippery and stretch fabrics.
  4. For the “crazy swap” category, think crazy quilt in a sewing case. This could include satins, velvets, textured fabrics. Quality synthetic fabrics are invited.

Swapper Guidelines:

  1. Please be certain you can fully participate in the swap before you sign-up.
  2. If something arises after you sign-up that will effect the date you are mailing your fabrics, please email your group so everyone is aware.
  3. If you fail to fully participate in a swap, you will not be able to sign-up for future swaps. (We do understand medical and family emergencies. I need to be able to ensure swappers will receive fabrics when they send fabrics out.)

Q&A

Yes, you can participate in 1, 2 or 3 of the swaps.

Yes, if we end up with multiple groups, you can participate in more than one group to swap more fabric. If you participate in 2 groups, you should swap 2 fabrics.

Yes, you can swap large and small scale prints.

Yes, you can swap now and sew later.

Yes, we would love to see what you’ve made with the swapped fabric.

Yes, you can use your own fabric in your swapped project.

Published in: on January 20, 2015 at 6:00 am  Comments (15)  
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A Hood For Everyday Wear

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This is the hood I cut for myself in December. I finally got round to quilting and sewing it. As I am hoping these last two weeks were the depth of our cold, I don’t think I’ll keep it.

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It has a cream silk exterior that has applique-esque windowpane padded stripes on it. It is a soft silk with flat slubs. Inside is my favorite cotton lining.  Just love this blue & red print. The batting is a super soft wool.

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https://www.etsy.com/listing/219178299/victorian-style-winter-bonnet-in-quilted

Published in: on January 19, 2015 at 6:58 pm  Leave a Comment  
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The Tear-Drop Tip

One of my more recent collection additions has an elagant tear-drop shaped tip surrounded by tightly gathered stripe silk and a fluffy puffing of wool.  It is on of those construction componants that just catches you with “how did she do that?”
It is also one of those things that just call to me, from the other room, “make me”… “figure me out.”
The original tip is made of layers about a third the weight/thickness of pasteboard. Theses layers are also wrinkled and crushed inside the layer of silk on the outside and lining on the inside. The best I can tell (for want of one of those probe cameras) there is a gathering of silk between the layers of almost pasteboard, but it isn’t enough material to be the gatherings from the body of the hood. (I think I figured out what she did with that bulk. Rather nifty.) The teardrop is piped with a thick silk covered cord. I went from thinking “that is going to be a pain” to “ah, that takes care of that.”
I’ll get around to doing the photos of this piece soonish.
Now, my creation of the week was all about figuring out this tip. The rest of the hood is just a basic wadded construction.

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Published in: on January 17, 2015 at 2:47 pm  Leave a Comment  
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Favorite paintings of the week

1I stumbled across the painting Saturday Afternoon by Enoch Wood Perry, and was just captivated by the way the woman was reading.

Her feet are right up next to the fire. The book inches from her face.

The painting has so much more to offer though.

There are two different versions in terms of brightness online. This brighter one is easier to see.

While this one has a richness to the color:

Either way, this painting is packed full of great pieces to look at and talk about.

Then I saw this, Women Weaving, by the same artist:

How I wish I knew where this was taken from. Several of the other pieces say New York.

Published in: on January 15, 2015 at 5:11 pm  Leave a Comment  

The Ultimate Winter Wind Hood

IMG_5679 Here we are, the first bonnet of 2015.

This winter hood is taken directly from an original in my collection. The original is a dark, royal blue on the outside with black silk on the inside. I went all black for this one. This is one of those hoods where I really wanted to know why it went together the way it did. IMG_5694 All the measurements are as exact as I could get. I kept with the original seam construction as well, right down to the use of salvage which I’ve come to love for its great reduction in bulk. I did make two additional changes besides the color. The original has a piece of half inch broken cane. As it is only a fragment and the pinholes that previously held it only showing in a small area, I could not determine exactly where it ran. I have not included that. There is a piece of black ribbon attached flat along the bavolet seam on the outside that is just off. I suspect it was either added later to cover pinholes from where a decorative ribbon was placed or to cover wear. (Here is the Etsy link.)

IMG_5701Now, I’m sure you are wondering why I’m calling this “The Ultimate Winter Wind Hood.” When I finished it and tried it on, I was greatly impressed by how wind resistant this hood is. The brim comes very forward of the face. At the same time, the ribbons inside the brim draw the interior of the hood down around the head, holding it snuggly and comfortably in place. The photo to the left an show you sort-of how those ribbons draw the interior down.

IMG_5697The bavolet that appears flat and rather long is just right for keeping the wind off the neck. It sits right around the neck so to not let the wind catch underneath.

Trying it on was truly a moment of understanding.

IMG_5692Back to the exterior, you’ll see an interesting combination of quilting. All the quilting is made of diagonal stripes spaced at 1.25″. But, the front of the brim and where it turns under to the inside the quilting makes diamonds, while the mid to back section of the brim is simply diagonal stripes. I happen to really like the way the look comes together. The bavolet and tip both have the full diamonds. (I can tell you, this is a lot of quilting.) IMG_5685

For 2015, I’m going to try to share the time and materials for projects. (which I know may be a little weird since many of the pieces will be available for purchase. But, I really like how others share their numbers on their blogs and for challenges.) So, here we go…

  • research and drafting – I didn’t count.
  • Cutting, marking, quilting and sewing – 19 hours
  • Approx 2/3 yard of black silk taffeta
  • Approx 2/4 yard of 1/2″ wool batting doubled
  • 4 yards of 1/2″ black silk taffeta ribbon
  • 1 yard of 1 1/4″ vintage black silk faille ribbon
  • Black cotton thread which I almost ran out of.

Keeping Warm this Winter

If I Had My Own Blue Box:

Keeping Warm this Winter – January/February edition of the Citizen’s Companion

Keeping Warm During This Winter

            Most everyone who knows me well knows I am by far not a fan of cold winter weather. I am continuously cold to the bone and fearful of ice all winter long. Between my general dislike of winter and the impending cost of keeping our homes warm we will all be facing this winter, I couldn’t help but be curious about the techniques our 19th century counterparts used to keep themselves and their homes warm in the winter cold.

            To get a general understanding of how our mid-nineteenth century counterparts saw their winters, let us look at some reports on the weather and descriptions of the home in winter. These reports come from the January 10th, 1856 New York Times presenting a cold spell of weather from a few…

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Published in: on January 8, 2015 at 10:33 am  Leave a Comment  

A Practical Look at Winter Clothing

If I Had My Own Blue Box:

I’m sure you’ve noticed my focus on being prepared for cool and colder weather as of late. It may seem a bit early since it is just now Labor Day, but for some of us the cold fall and colder winter weather will be here soon.

In my browsings I stumbled across this 1859 magazine published out of Buffalo, NY called The Home Monthly with a practical take on winter clothing:  

Winter Clothing – Style and Material

We do now propose keeping our readers in the latest Parisian style, for we have no Genio Scott, Genin or Brodie to consult, and we hardly think we shall fail of our purpose without them. We do not choose to cater to fastidious fondness for the very latest pattern, and encourage ladies in exhausting their entire time with thoughts in the “where-withal shall we be clothed.”

Every lady ought to be dressed

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Published in: on January 8, 2015 at 10:29 am  Leave a Comment  

Winter Images

Published in: on January 8, 2015 at 10:27 am  Leave a Comment  

Dressing For Winter – A Visual pt 2

If I Had My Own Blue Box:

More examples to expand on yesterday. This set includes several from Canada. Keep that in mind.

Winter 08

This is a painting I don’t have the title for worth looking at: Painting by Mari ten Kate

A German painting: Painting by Johannes (Hans) Gabriel Jentzsch

Be sure to see this blog as well.

Here is some information on the artist that follows: Blog page: Life in snowy North America

Winter 06 Winter 09Winter 10Winter 11

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Published in: on January 8, 2015 at 10:26 am  Comments (1)