2016 Sew Alongs

After test driving the Sew Alongs in two formats with making a Work Bag and a Pin Ball, I have decided to continue them through the year. I think a couple months for each will be a comfortable pace that will not overwhelm. (sorta like the fort-nightly challenges just spread out.)

 

This year’s Sew Alongs will include:

  • January thru March – a Work Bag and/or Pin Ball (in progress)
  • March thru May –  Purse (That which holds coin. This can include a miser’s style purse, an embroidered purse, a sewn purse, etc. The key is this is for holding coin.)
  • May thru July – Slippers (These slippers can be of needlework, braid work, knitted, quilted, etc.)
  • July thru Sept – Apron (of any type and purpose)
  • Sept thru November -TBD Head garment for the home or shop (This can include a cap, head wrap, etc.) or A “Carry In” (A type of bag or carrying device that could include a travel bag, pocket, etc.)

Sew Alongs are open to any historical era and skill level.

House Keeping: We will continue to use this blog and Facebook for sharing and support. For those not on Facebook or those who do not blog, please comment below and feel comfortable emailing me your project results so I can post them in the blog.

Please, share your progress as you work through your projects either in the comments section for that Sew Along or in the Facebook Group. Encourage each other as we work along. Remember, we are a mix of historical eras, skill levels and with different goals. (Yes, we have an assortment of site interpreters, reenactors and theatrical costumers.) The span of the Sew Along is a guideline, not a deadline. Continue to share your progress even after a new Sew Along has begun. Do not feel there is a firm deadline. We simply are going to encourage each other to work towards completion.

Upon completion of your project, which can be any time after the Sew Along starts, please share:

  • Photos of your completed project
  • The era of your project
  • Plans for its use (if any previously in mind)
  • Inspiration and/or documentation you particularly liked or found helpful
  • Your favorite part of the project
  • A self reflective accuracy rating (if this applies) (optional)
  • Total cost of project (optional)
Published in: on January 20, 2016 at 4:00 pm  Comments (8)  
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2016 Happenings?

Last year we took a nice cruise on the Canandaigua Lady. I am now pondering what we could do this year….

?Another cruise?

?A picnic?

?A trip on the canal?

I really want to do a warm us up tea at the Caledonia Village Inn. A Saturday afternoon by their warm fire sounds so nice right now. I need to pick a date that soon. (though, I am noticing they open at 4.)

I stumbled upon Granger Homestead’s Mystery Tea. While this is different than what I have in mind, is sounds like it could be fun. What do you think? This is such a lovely home.

I also want to do a couple of those sewing get togethers that seemed to fall through the cracks this past year.

 

Published in: on January 19, 2016 at 4:00 pm  Leave a Comment  
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From “The Farming Daughter”

Michaela, The Farming Daughter, shared the winter bonnet she made with my pattern. Please, take a look: http://thefarmingdaughter.com/2016/01/18/the-bess-bonnet/

 

Published in: on January 19, 2016 at 6:00 am  Leave a Comment  

Doll Millinery and Accessories

With my reduced attention span during the last two months of being a germ magnet, I’ve been working on some much smaller projects. Doll projects actually.

Cali has a new work bag that is in the same style as the work bag we are doing for the sew along. Her little bag is about 3″ wide. It is made with a bold cotton print and muslin lining. It is trimmed with pleated silk ribbon.

As Cali is a time traveling doll, both backward and forward in time, I have yet to decide if she will be sharing her adventures here on this blog or over on Don’t Paint the Cat. Who knows, she may get demanding and ask for her own blog.

I made a second one of the same fabric for another doll wanting one.
imageI loved the look of the small gauging around the little center, I went ahead and made one of silk as well. This one is a blue and green shot silk. It is worked in black thread and trimmed in black silk ribbon for the handles and bow.

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Of course, the ultimate accessory is a nice piece of millinery. Here is Cali in a fashionable straw hat with a little pink silk ribbon. (she may or may not be keeping this one.)

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This quilted silk hood will keep her snuggly warm. It is hand quilted on a rose and gold shot silk, in a double scallop pattern.

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This wadded hood is made with a slightly smaller pattern for a slightly smaller doll. Thus, the snug fit on Cali. (This will be available.)

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Here is a straw toque style hat waiting to be trimmed. Cali doesn’t like this one for herself. Her head is wider and not as deep. It will be so cute trimmed out in velvet.

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Here are a few millinery pieces I did a while back. The straw is made with tiny 3-4mm straw plait. I have more of this that I am looking forward to working with this year. The drawn bonnet mimics a human size drawn bonnet I did two years ago. To keep warm, there are a pair of winter bonnets in black and a blue-gray silk.

 

Besides Cali and Mea’s dress fabric stash tucked away in their trunk, there are many other items I would like to make for them….

Dreamy To-Dos:

Published in: on January 16, 2016 at 1:00 am  Comments (1)  
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How do I …. My Shawl

I am being asked more and more frequently about repairing or strengthening shawls.

Oh, how I wish I had taken classes textile conservation and preservation already. But, I haven’t.

Before proceeding, I want to say I do not encourage the wear of original shawls.

What causes damage to a shawl

  • Folding creases the thread and causes fractures.
  • Dryness can dry out the fibers and make them brittle.
  • Moisture can invite mildew or mold.
  • Moths can eat holes.
  • Time is just time as it wears away the life of fiber.
  • Chemicals/dyes can cause some threads/fibers to be less stable than others. These can deteriorate quicker.

 

Reading up on the options

Further reading

  • Preservation begins at home: How to care for your textile collections” by Julia M. Brennan. (This is one of the nicer, easy to follow articles for at home.)***
  • Caring for Textiles blog.
  • The Museum Textiles “Issuu” page.
  • “A Conservator’s Approach to Viewing Textiles”, Textile Society of America, Proceedings of the Seventh Biennial Symposium, Sante Fe, NM, 2000.
  • Preserving Textiles: A Guide for the Nonspecialist,  Indianapolis Museum of Art, Indianapolis, Indiana:  1999, 92pp.
  •  “Treating Mrs. Robertson’s 1802 Dress”, Costume Society of America, Dress, Earleville, Md,  1993-4, pp. 65-73.
  • “Fabric Wallcoverings: Historic Use, Cleaning and Conservation”, Historic Preservation, The Interiors Handbook for Historic Buildings, Vol. II, Washington, DC, 1993, pp. 5. 21-24.

 

For in-depth information on shawls and their history, read Paisley, Plaid, & Purled: Shawls of the Mid-Nineteenth Century

PPandP book cover

Published in: on January 14, 2016 at 6:00 am  Leave a Comment  

What I have on my mind…

When I should be sleeping….

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http://www.nationaltrustcollections.org.uk/object/1362638

http://www.nationaltrustcollections.org.uk/object/1349756

http://www.mfa.org/collections/object/leghorn-straw-bonnet-47759

Published in: on January 13, 2016 at 5:00 pm  Comments (2)  

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Shawls for Historic Interpretation

For more in-depth information, read Paisley, Plaid, & Purled: Shawls of the Mid-Nineteenth Century

PPandP book cover

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Shawls for Historic Interpretation

Kashmir, Paisley and Paisley-type Shawls

Paisley family shawl, possibly French

Fibers, weave and size: These shawls should ideally be made of hair brushed from the Kashmir/cashmere goat or from a wool and silk blend. The silk should be the warp or blended into the wool in a small amount. Avoid shawls with a rayon or acetate blended with the wool. Original Kashmirs are very light weight because of the tapestry twill weave. I have yet to be able to compare the weights of original and new. Look for sizes around 64 inches square or 64×128 inches as a double square.

Design: When looking for a Paisley shawl, look for a strong cone motif. The cone motifs should radiate out from a center field of black, white or red. These radiating motives create a star or spoked flower appearance from a distance.  The spokes should be connected with ribbon like borders consisting of small floral motives. By our era a newer shawl would have a smallish center. But, the higher cost of these shawls along with their durability means it would not be unlikely for a grown woman to have a shawl with a larger center from her youth. The outer border can be on two or four sides. This borer should be comprised of smaller designs brought together in the border. Kashmir borders will have more independent blocks of design while French borders will visually entwine each block with it’s neighbor.

Two other design options include the striped shawl and the border shawl.

Where to look: There are some nice shawls coming out of India. Many of these are available on online and via Ebay for various prices. When doing an online search use “Paisley Shawl” or “Cashmere Shawl” or “Antique Shawl” for your key words.

(note: I have read several 1990’s news stories regarding the skinning of goats for their under-coat hair, which is used to make shawls, thus endagering the goats. While shopping be sure to find a merchant you are confidant in.)

Woven shawls Red Wool Shawl

Fibers, weave and size: Wool or wool/silk blends. These should also be 64 inches square or 64 inches by 128 double square. A shawl relatively near these dimensions will look nice. The weave should be a tight plain or twill weave. The shawl can range from light weight to rather heavy if hand-woven.

Design : Look for solids, checks, plaids (preferably symmetrical) stripes and border plaids.

Golden yellow plaid shawl with detailWhere to look: This is a type of shawl you can make yourself. Many Museums offer weaving classes thru-out the year. You can also make a fabric shawl from woven wool lengths. You will need a dress weight to coat weight wool rather than a heavy weight  in a 54 inch to 60 inch width. Plain woven fabric and plaid woven fabrics work well. The yardage can fringed on the end by unravelling the ends by hand. To calculate your yardage, decide if you want a square or double square shawl and how long you wish your fringe to be on the ends. For a square shawl, purchase the width of the fabric plus 6 to 12 inches for fringe. For example: if you want a double square shawl out of 60 inch wide fabric purchase 130 inches for a 120 inch shawl with 5 inch fringe.  (see the article on fringing a shawl)

Printed shawls

Fibers, weave and size: Printed shawls come in wool, cotton and blends of wool, silk and cotton. Ideally, you would find a 64 inch square shawl, but the common 55 inch square shawl is not bad.

Design: Printed shawls vary by region. Look for period motifs and borders.

Where to look:  The Russian Pavlovo Posad company still makes printed shawls in their 19th century designs. There are several sellers listing these on ebay and more on the web. I am still trying to find a direct link to the company. I may have to settle with a regular address and phone number. Use “Pavlovo Shawls” or “Russian Shawls” for your internet search.

Sheer Shawls – Muslin Shawls, Grenadine & Barege

Fibers, weave and size: I still have not found sheer shawls that I like. These were silk, wool or cotton. They frequently had a plain central field and a stripe border creating a plaid motif.

Lawn, Gauze, Voile, Silk Organza & Batiste fabrics can be used to make a sheer shawl. The edges would need to be hand finished with a rolled hem. This isn’t what original shawls have though. You may want to starch the fabric as well. You can add tucks to the border or ribbon to the border or edge.  

Design:: Plain, woven plaids, woven checks, woven border plaids.

Where to look: – Online fabric merchants including Exclusive Silks and Fashion Fabric Club

Silk Shawls

Fibers, weave and size: I have not yet found the ideal silk shawl. Thai Silks has larger white shawls in their scarf section. These are a little smaller than ideal, but may suit your needs.

To make your own shawl, you want a durable silk, in the 64inch square range, no slubs with or without fringing. Look for a taffeta, china or habotai silk. Do not use satin.  I have seen solid color, shot (or changable silk) and patterned silk shawls. A couple of the India, China and Thai merchants sell nice silk shawls. I tend to think play it safe for silk shawls and go for simple. Also, many list as silk but are selling Viscose.

Design:: If you want to embroider your shawl, I highly suggest looking extensively at originals.

Embroidered China Crape

There are some fabulously beautiful embroidered shawls out there… but only a few designs are suitable. I occasionally pick through ebay to see what is out there. It is rare I find something that meets size, design, quality and fiber standards. But it is possible.

**Edit – The previous finds are no longer available. I’ll keep an eye out for more.

Lace Shawls

Sadly, every modern lace shawl I have seen is a synthetic. I may not have found the right maker. I suspect the prices may be quite high.

Crochet and Knitted Shawls

Great thing about these is you can make them your own. There are several patterns available in magazines and guide books. Many of these patterns are available digitally through Accessible Archives and online from various sites.

If you are purchasing a shawl, be sure to ask where the pattern design came from and what fibers the shawl is made out of. The shawl patterns above are worked in wool or silk.

Orenburg Lace Shawls

Fibers, weave and size – These should be 100% wool

Design – See originals

Where to look: – These are available from the same places the Pavlavo shawls are available. But not all are 100% wool. These should be square and very, very fine. The idea is they could fit through a wedding band. Most of the ones I see listed on Ebay don’t look like they have been blocked (set to the square shape.)

For more in-depth information, read Paisley, Plaid, & Purled: Shawls of the Mid-Nineteenth Century

PPandP book cover

 
 
 
 
Published in: on January 7, 2016 at 5:00 pm  Comments (3)