When I mentioned using powered tools last weekend, it surprised a few people. So, I thought it could be fun to talk about some of the behind the scenes things used for straw millinery. This is very much the things I use at home, not those for a historic setting.
- Blocks. I use a few different types of blocks, aka shapes to shape bonnets and hats over. I love original blocks. They can be hard to find and pricey. I also make my own from foam and wood. The foam blocks don’t last long, maybe a season depending on how many pieces are made on it. Wood blocks are much more difficult to make but last longer.
- Palm sander. I use a palm sander to sand and shape some of my blocks. I would love to have a lathe so I could turn some round blocks. I need to get braver and better with saws and chisels.
- Dremel. I use a dremel for marking blocks and for smaller, doll size pieces.
- Paint brushes. I paint my sizing combination on. No more clogged spray bottles.
- Icy Hot and Unkers. Icy Hot patches cut in half wrap nicely around the hands or wrists when they start spasming. Unkers is nice to rub in before bed. The rubbing helps too.
- Back massager. The back massager fits well around the hand or wrist when there are knots or the swelling needs to be worked out.
- Iron stone pitcher. The pitcher from my pitcher and basin set has become the parking place for straw.
- Clara. Clara is in charge of time management . She reminds me when it is time to take a break or to go eat. She is also a nice heating pad.
- Crocks and baskets. Hanks of straw seem to stand up nicely in large crocks and tall baskets.
- Washing machine. The washer has become the drying surface because it is cleanable compared to wood surfaces.

I laid the pocket right side down on the lining where I wanted it to be. (My plaid helped make that easy.) Using a running stitch, I attached the pocket. Then folded it up into place. I basted the pocket along the edges.











Please be sure to read the Announcing post with directions for ordering your Tin Tube, made by the Genesee Country Village and Museum’s Tinsmiths and suggested materials list.
I am going to assume most of us are using an exterior material that is more difficult to sew through.
Starting at the center of the closure, lay your ribbon binding on the exterior of the exterior piece, with about half overlapping. This should like the selvage up so it just covers the holes you made. Sew the ribbon around the perimeter of the exterior material. All the way around. Be sure to miter corners tightly.
Wearing nineteenth century clothes, we find they fit differently than our modern clothes. The waist is in a different spot. The bust sits differently. Seams are used to accent or de-accent parts of the body. The fit feels different and moving in the clothes is different. The same is true for hats and bonnets. In previous posts I’ve talked about 









