Wearing the Mid-Nineteenth Century Hat

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Wearing nineteenth century clothes, we find they fit differently than our modern clothes. The waist is in a different spot. The bust sits differently. Seams are used to accent or de-accent parts of the body. The fit feels different and moving in the clothes is different. The same is true for hats and bonnets. In previous posts I’ve talked about bonnets and perch. Here, we are going to look at how a hat was worn and how it “fits”.

In the 1850s and 1860s, hats were worn much higher on the head than we are accustom to in the twenty-first century. Think about when you wear your modern beach or garden hat. You know that line across your forehead where it sits after a long hot day? You do Not want that. A mid-nineteenth century hat sat higher, at the top of your forehead, at your hair line, or even higher. Take a look at these fashion illustrations from 1860-1862. Notice where each hat sit. In a few illustrations, the front hairline is obviously below the crown line. In others, the crown sits just at this line. The hat sits atop the head, not encompassing it. The curve of the brim is what dips to the eye line, not the hat itself.

examples

What does this mean for you when picking a size?

There are two factors for finding a comfortable fit: Size and shape.

The difference in wear or placement means we measure for a mid-nineteenth century had differently than we do for a twentieth or twenty-first century hat. The modern hat is measured just above the eyebrow. (This is also where many of us measure for bonnets. We want to keep you on your toes.) For mid-nineteenth century, we measure higher, at the hair line. In this illustration, we can see the difference between where the two measurements would be.

measure

These higher, hairline measurements are often smaller than those taken at the eyebrow. A hat worn at this point can be slightly smaller to slightly larger for comfort. So, add and subtract an inch to your hairline measure.

For example: I am 22.5″ around at my eyebrows and 21.5″ at my hairline. The vast land of the internet tells me that the average woman’s head measures 22.5″ to 22 5/8″ around at the modern measuring point. So, I am about average. I comfortably wear a mid-nineteenth century hat that is 19.5″ to 21.5″

General guidelines I use:

  • Small = Less than 21″ at the hairline (crown less than 20″)
  • Average = 21″-22.5″ at the hairline (crown 20-21.5″)
  • Large = Greater than 22.5″ at the hairline (crown greater than 22″)

Just like every head measures a bit differently, they are each shaped a bit differently.

round oval

When looking from above, some people have rounder heads while other have more oval heads. Both of these shapes to the right can have a circumference of 22.5″. Yet, the same hat would fit each head differently.

I will try to indicate which hats have rounder crowns or more oval crowns. I am in the process of naming the crowns. Hopefully, that will help.


Are you one of the many readers enjoying my millinery blog posts?

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Published in: on April 25, 2022 at 5:05 am  Leave a Comment  

Wool Challis Dress Progress

Some time around 10 this morning I thought to myself:

I used to do this a lot faster.”

I got home from a “quick” errand yesterday, I guess that would be Friday, and pulled out my red plaid wool challis. It was time to stop imagining the math and figure out just where the plaids will land. My hope was to get the red stripe section to sit at the hem of the skirt. Why? Dirt. Being an loose weave wool, this dress will not be washed often if ever. It will be brushed off and spot cleaned. If I absolutely have to, I will soak it. Putting the bolder band of red at the bottom will also, hopefully, help with period esthetic, drawing the eye out as it goes down, creating width to the hem.

The tape measure told me the plaids repeat every 8 or 8.5 inches. Good and bad. Good in that this gives a repeat times 5 that is just a little over my normal panel length of 42inches. This let the panels sit with the red section just above the bottom. Bad in that the repeats are not exact, meaning there is some variation in the weave tightness. Given the price, I should not be surprised. This does tell me wonkiness could happen as I proceed. Good to know.

I measured and marked my panel lengths… separated the skirt section from the bodice/sleeves section… pulled threads… and cut the panels. Lining up the plaids, I stitched each of the panels together and felled the seams.

I had planned on gauging this skirt. But, luckily I decided to do two sample areas. I changed my mind and went with stacked knife pleats. The math worked out nicely. Yes, I pleat with math. I like math. An interesting thing developed because I used directional pleats. On one side, I got a nice red, red, white, grey sequence in balance. On the opposite side, folding the other way, the white and grey dominated.

About two thirds of the way around, the sun had passed over and settled my livingroom into shadows. I continued on with a section of gauging for the center back.

There was just enough light to tear sections for the hem. I pieced them together and clipped them in place. Then, I looked at the clock. Wasn’t it just one o’clock? How was it after eight and getting dark?

This morning, I grabbed the skirt right after feeding the feline keeper of time. Opened the blinds and sat down to the hem. Around and around the 180 inches. Attach the facing. Hem the facing. Attach the tape. Fold the tape.

Somewhere in there, around ten I think, I thought to myself

I used to do this a lot faster.”

In the, what 8? 10? hours I’ve spent hand sewing this skirt, I would have sewn the whole dress – skirt, bodice, and sleeves.

But, I wouldn’t be happy with how the plaids lined up. I wouldn’t be happy with the weight of the seams with the stiff thread.

This slow sewing is just fine for me. I can curl up with my fabric. I can pay attention to the details.

Now, I’ve been typing away and completely lost track of where I was going with all this. The skirt is ready to be set on the waist. The rest of the wool is neatly folded and waiting. I need to get out the binder of patterns to pick out the pieces.

But first I have strawberries to bead.

Published in: on April 23, 2022 at 1:34 pm  Leave a Comment  

Squirrel!

“Saw a squirrel”

“Lost down a rabbit hole”

I this case, the squirrel really was a squirrel. Well a pocket full of them.

Glancing at my tablet, while working through sewing tasks on a day packed full of sewing tasks, I saw this post from The Lady’s Magazine (1770-1819): Patterns of Perfection. An 1772 pocket full of squirrels. The little squirrels had the cutest faces and fluffiest tails.

My mind got rolling the images around. I saw one squirrel center stage. The two as a pair, showing off those tails. Tails in? Faces in? Hmmm….

Playing around with Paint and Publisher (yes, I am old school. No fancy new programs in my budget. I am still just on my second own laptop.) I enlarged the squirrel. Gave her a friend. Changed the shape of the pocket border a bit. The rest was done by hand. Changed the size of the sprig and flipped it around. Cut it in half to make it printable…. To make my version of the squirrel pocket:

I had been cutting out doll pockets earlier when I was supposed to be cutting out full size pockets. So, I knew I had materials for a linen pocket already cut out. It was like it was waiting for these squirrels.

I inked out the design on the linen. The border had to be swung into place around the rounder shaped pocket. The original has more of a rounded off trapezoid shape.

My precut pocket had more of a rounded shape and more height. This made room for an additional leave for each side of the border. It also has space for another sprig. It will be either the center bottom sprig from the original design or one of the smaller sprigs. I will decide when I get most or all of the embroidery in. The leaves of the border will each have veins and little dots as the original. I am not yet sure what those dots are though.

Looking in my sparcely filled floss box…. the squirrels will be a couple shades of brown, the leaves green, and the flowers likely a blue. The nuts the squirrels are eating may be cream.

If someone knows whether variegated floss was used in the 18th or early 19th centuries, please let me know. I found I like the variegated greens for vines and leaves.

Patreon Patrons will be receiving the pdf of the single page and double page versions.

Published in: on April 20, 2022 at 1:25 pm  Comments (1)  

A Hair Essentials Kit

I am reposting favorite helpful posts each Monday throughout March, April, and May.

My recommendations for a basic hair kit:
● Straight hair pins
● Faux tortoise hair pins
● Plain black elastics
● Hair Pomade
● A Plain net or two
● Faux horn hair comb or two

I am lucky enough to be able to purchase these items in person, includong the straight hairpins during a day trip through the Finger Lakes. Not everyone has similar local resources. With this in mind, I am including two shopping lists: one that can be done online from home and one that can be done mostly in person. The online list supports small businesses, with the exception of one item through Amazon.

Shopping from home for approx $38.00:
Order from Timely Tresses:
~~1 set of faux tortoise hair pins $4.00 or 4 chignon faux tortoise hair pins $5.00
~~1 plain hair net $4.00
~~1 back comb $4.00 or 2 side combs $4.00
Amazon:
~~2 sets of 12 straight hair pins in 2” or 3″ and 2.5” $12.00
Talbott and Co on Etsy:
~~1 tin of pomade $14.00

Shopping mostly in person for approx $25:
Local pharmacy:
~~Plain hairnet $2 for a set of 3
~~Faux tortoise hair pins $3
~~Hair elastics $2
Amish dry goods shop:
~~Straight hair pins 2 sets for $4
Talbott and Co on Etsy:
~~1 tin of pomade $14.00

Sources:


Are you one of the many readers enjoying my millinery blog posts?
Consider becoming a Patreon patron. Doing so helps support my work and helps me write more useful articles.
https://www.patreon.com/AMillinersWhimsy

Published in: on April 18, 2022 at 6:05 am  Leave a Comment  

Millinery Care and First Aid

I am reposting favorite helpful posts each Monday throughout March, April, and May.

I have written a couple posts in the past about caring for or storing our bonnets. Lately, a few specifics “uh-oh” fixes have been asked of me. So, I thought it would be good to put together a more detailed article on millinery care and first aid. Here I will be talking about Straw millinery only.

Preventative Care Your Bonnet

The best prevention is to store a bonnet or hat on an archival stand, under a glass dome with its own security system. ….. A dream, right?

(If I could have all the storage space in the world and start over – I would attach two stands to the inside of the lid of a tote (I think they are the 15 or 20 gallon totes) With the lid as the bottom, the tote becomes the top. I could then place a bonnet on each stand with the ribbons rolled up. No wrinkles, no dust, no issues. Again, that is my dream.)

I’m going to boil this down to my list of dos and don’ts:

Do – Keep you hats and bonnets on stands

Do Not – Use foam heads for storage. These will release chemicals that will discolor your bonnets. Even covered with other fabric this can happen.

Do – Cover your bonnets some how to keep dust off of them. Yes, a box is best.

Do Not – Store in overly moist or overly dry areas. Moisture can cause mildew, mold and color issues. Dryness can cause silks to shatter.

Do Not – Store a bonnet on its face, side or bavolet. This will cause crushing, wrinkling and misshaping.

In Case of Mishaps

Rain – A gentle sprinkle can usually be okay with a gentle drying while on the bonnet stand. If you find you were stuck in a heavier rain with your bonnet on, first remove all flowers and ribbons from your bonnet. Hang your flowers upside down. I have this awesome stand from Wilton that was meant for cake making that works great. You may want to use clothes pins to hang them from a clothes hanger. Lay the ribbons flat to dry on a paper towel or old towel as not all ribbons are color fast. You may find you want to remove the bavolet as well. Lay it flat, net side up. Most bavolets can be pressed with the aid of a pressing cloth once dry.

For the bonnet itself, press any mishapings out with your hands gently against the counter if need be. Take a roll of paper towel. Unroll it to about the size of the tip of your bonnet. Place the bonnet face down on top of the upright paper towel. If you left the bavolet attached, let it lay open but not touching the bonnet. Arrange the pleats and work out any wrinkles carefully with you hands. Allow it to dry completely. In the case of a hat, you may need to shape the top of the paper towel roll to reflect the curve of the crown and lay a layer or two of towels over it to make a smooth surface.

Reattach the ribbons and flowers.

Wrinkled ribbons – Ribbons get wrinkled and crinkled when tied and untied. Bonnets should be stored untied with the ribbons neatly rolled into a coil. (I even roll some of mine around little ribbon pillows I’ve made.) Rolling the ribbons will help coax the fibers that were inside in the bow to relax back where they should be while keeping additional wrinkles from forming.

If you find your ribbons to be holding their wrinkles, you can steam them to help relax the wrinkles then roll the ribbon. You can also try pressing the ribbon with an iron using a pressing cloth. (Most silk ribbons are vintage with older fibers, while newer ribbons, even high quality ribbons are a combination of rayon, polyester and nylon. A low temperature and pressing cloth is safer than ending up with your ribbon stuck to your iron or breaking.)

Squashed Flowers – a Flowers can become squashed during wear or storage (or oopses). For velvet flowers, I find a light spraying of spray starch and reshaping with my fingers works best. Spray just a small area at a time, 1 or 2 square inches at most. The petals should be barely damp, not wet. Gently work the damp petals and leaves back into shape. Allow them to dry fully. If you have removed them from the bonnet or hat, clip the flowers to something so they stand up to dry.

For organza or other faux silk flowers, a light steaming may work to help coax the fibers in the petals to be manipulated and reshaped. Allow them to dry fully as well.

Crushed Frill – a A slightly crushed frill can be steamed and reshaped with the aid or a bodkin or hair pin. A severely crushed frill needs to be removed and pressed with an iron. Silk organza or cotton organdy should be able to be pressed on the designated setting. Lace should be pressed on a low setting with the aid of a pressing cloth. I try to press the frill while it is still pleated. (un-pleating and re-pleating is timely.)

Crushed or Shattered Straw – This is a though one. I’ve had a couple people ask me about bonnets that have been sat on or crushed in baggage. If the straw is not completely broken just misshapen, I suggest removing the flowers, ribbons, etc. Dampen the area(s) that have misshapened. Reshape the area(s) with your hands. Use objects in your kitchen for support if need be. Allow the straw to dry fully. If needed, mix some millinery gelatin or white glue & water (1:1) and brush it on the area for firmness and strength.

If a single or only a couple straws have been broken, it may be possible to replace or support those areas with additional plait if a matching plait can be found. To support, clean the break with fine scissors or nail clippers so the cut is along the diagonal of the plait. Unpick the stitches connecting that row of plait to those adjacent. Cut a piece of straw 2 or 3 inches long with diagonal cuts. Slide the piece into the fracture. Line it up carefully. Sew the piece into place catching the layers and the broken strips.

If multiple rows of plait are broken or it is a woven straw, the best chance is to realign the straw (dampened) and support it from the back with sinway or a piece of woven straw. The front of the straw will need the aid of a bodkin and/or tweezers to get the right look. You will want to use millinery gelatin or a glue solution to firm up the realigned straw. I would only recommend this if purchasing a new one is out of the question as it will be very intensive.

Dust or Cobwebs – If you store your bonnet or hat on a stand, you may get cobwebs. My favorite solution is a can of spray air, like the kind used for computers. Spray gently and at an angle.

Squashed Bavolet– A bavolet can get squashed during storage. If this happens, Turn the bonnet upside down. If need be, tie the functional ties together and hang the bonnet from the loop. Steam the bavolet encouraging it to flop over the tip and sides of the bonnet. Steam both the silk side and the net side. Smooth out tough wrinkles with your hands. Once the bavolet is back in shape, let it dry fully and spray with spray starch.


Are you one of the many readers enjoying my millinery blog posts?

Consider becoming a Patreon patron. Doing so helps support my work and helps me write more useful articles.

https://www.patreon.com/AMillinersWhimsy

Published in: on April 18, 2022 at 6:05 am  Leave a Comment  

An Unboxing Video with Spring Recess Banter

It has been many weeks since I did a video. This was meant to be an unboxing video but turned into a lot of banter about spring recess.

Published in: on April 15, 2022 at 1:02 pm  Leave a Comment  

Making Friends with Your Bonnet

It is entirely possible I have a lot to say tucked up inside my head.


In an ideal world, we would all research thoroughly before making a purchase. But, this is the real world. We get excited. We see something. It comes home with us. Or, we are gifted something. Or, there is a special sale.

Let’s talk about goals first. I often I have to remind myself my goals are not someone else’s goals. This means my expectations for a reproduction item depicting material culture may not be the same as yours. I recommend identifying your personal goals and writing them down to reference when developing your wardrobe for historical interpretation or enjoyment.

Is it a health risk?

I know it seems extreme for me to start with this. But, this is one I am passionate about. Regardless of your goals. Regardless of the events you choose to attend. I want you to be as healthy as possible.

What does this have to do with bonnets?

Heat stroke

Most living history events are heald on days meant to be beautiful sunny, warm days. Many of these get down right Hot. As the temperatures rise into the 90s and even over 100 degrees, it is extremely important that heat escapes the top of your head. Please, do Not wear synthetic felt bonnets or hats. This can contribute to overheating, heat-exhaustion, and heat stroke.

Similarly, if you are attending a cold weather event, including fall events as the temperatures shift and winds pick up, please do not wear summer fashion bonnets with no protection. Protect your head, face, and ears. I can tell you from experience frost-bite takes years to heal.

Get to know your bonnet

I recommend getting to know your bonnet, and your bonnet’s family. This will allow you to more confidently wear your bonnet and answer questions about it correctly.

Review basic bonnet anatomy for the period with this post and video. While doing so, identify the parts and materials on your bonnets. It is important to know what they are and why they were used. In some cases, modern substitutions may have been made due to availability, sustainability, ethics, or cost.

Next, spend some time getting to know your bonnet’s family by looking at originals and photographs. Try to see the similarities as well as the changes that take place from year to year. If you tend to question yourself, assemble a collage of images supporting your bonnet. Save this image.

In doing this, you may find you want to make improvements either to this bonnet or for your next bonnet. Make notes of this with visual support and save it in a convenient location.

When to part ways

Sometimes a bonnet no longer meets our personal standards. This may be because of an inaccuracy, be it structural or material, or because is has had a mishap, or time has gotten the better of it. In such a case, it is best to find the bonnet a better home or pack it away so it is no longer a temptation to be worn.


Are you one of the many readers enjoying my millinery blog posts?
Consider becoming a Patreon patron. Doing so helps support my work and helps me write more useful articles.
https://www.patreon.com/AMillinersWhimsy

Published in: on April 15, 2022 at 6:05 am  Comments (2)  

“I Got this Hat. Now What?”

Congratulations! You have a reproduction hat. It may be one of mine. It may be one made by another talented milliner. In either case, you are ready for the next step.

This post is for you. This post will cover the most common topics and questions about reproduction straw hats for the 1850s and 1860s. Some of these answers will apply to other eras as well.

My hat is too big.

Good news – this is a fairly easy adjustment. If a hat is just a bit too big, meaning it wiggles but doesn’t flop, a lining ribbon or a lining can help it fit better. A cotton sateen or petersham ribbon around the inside is generally recommended for comfort anyway. Adding a thin layer of cotton or wool batting behind the ribbon can thicken the reduction while adding soft comfort. Adding a lining to the crown or crown and brim can also improve the fit. Choose a silk taffeta, silk organza, or cotton organdy. Light gathers will bring the size in a little, while denser gathers will bring it in even more.

My hat is too small.

First, double check how you are wearing your hat by comparing to original images. In the modern era we tend to wear hats lower on our head, coming down onto the forehead. In the mid-19th century, hats were worn much higher on the head. This can make a hat feel too small while it is actually the right size for you.

If you find a hat is truly too small, consider passing it along. A straw hat can be stretched a small amount with the aid of a hat stretcher and mist bottle. This will likely effect the shape of the crown, possibly distorting it from its blocked period shape.

I want to decorate my hat.

This is the fun part. Be sure to spend some time looking at original images before starting. You will find period fashion illustrations show densely decorated hats while period photographs show a little more restraint. Elements most often include ribbon, flowers, and feathers either center front or to one side with the ends of ribbon to the back.

Use a strong, sharp needle and thread to tack trims in place. Use large stitches that are secure yet removable. This way you can change the trims as desired. Please do not use glues on straw. Floral arrangements can be made in whole or pieces prior to attaching to the hat. They can be tacked in place with thread or with pins.

Line the interior of the crom for added comfort. This can be done with a cotton sateen or petersham ribbon around the crown edge or a silk taffeta, silk organza, or cotton organdy lining the crown or crown and brim. The lining can be added before or after the trim. Each milliner does it differently.

My hat won’t stay on my head.

As hats of the era were worn higher on the head, they often do not feel secure. Original hats show an elastic cord or ribbon ties was placed where the brim and crown meet, approximately just above the ear area. This cord or ties would go behind the head, securing under the hair arrangement. I find quarter to half inch wide cotton sateen or cotton petersham work well for this as they tie and untie easily without getti g stuck on the hair.

Period photographs show some hats also had wide, decorative ribbons sitting over the ear area, just in front of where these ties would be. These ribbons can be fairly wide, often plaid or striped. Rosettes or bows can be seen in front of the ears.

Can I wear a hairnet with a hat?

A plain hairnet is a hair accessory, an item used in arranging or dressing the hair. As such it was worn with a variety of millinery items, including hats. Remember, these nets were light weight and fine, made of silk threads or hair. Decorative nets, such as those made of woven ribbons, are also see in illustrations worn with hats. Ribbon headdresses, such as those on a foundation with pleated or ruched ribbon may not combine well with a hat as the hat will crush the ruche or the ruche will cause the hat not to sit properly

Hat FAQ Video

This video contains several helpful pieces of information on hats:

My hat might not be right.

Sadly, sometimes merchants or other reenactors sell hats that are not considered accurate. The reality is a great deal of progress has been made in understanding the fashionable hat of the 1859s and 1860s over the past two decades. Thanks to the surge in easily accessible resources, such as period fashion illustrations, photographs, and originals, we now know more about who wore hats, when they wore them, and what those hats look like. This also means that hats produced years ago are no longer considered as correct as they once were.

If you find yourself with a hat that may not be accurate, take some time to look at period images and original hats. Look at their shape and their proportions. Then go back to your hat. Honestly decide whether the hat can be improved and if you have the time, skill, and resources to do so. For some, this can be a challenge project. For some, this can be an added frustration.

Improvements can come in the form of wiring a hat’s brim edge, removing rows of plait from the edge, or shortening the crown at the base. Each of these can feel simple or overwhelming to a person. Please keep in mind sewing straw is different from sewing fabric. It may or may not be something you are comfortable with. If the answer is “no”, pass the hat along to a local theater or use it for something else.


Are you one of the many readers enjoying my millinery blog posts?
Consider becoming a Patreon patron. Doing so helps support my work and helps me write more useful articles.
https://www.patreon.com/AMillinersWhimsy

Published in: on April 14, 2022 at 11:14 am  Comments (2)  

Why This is Good…. Looking at Clothing

Some posts stand the test of time. This is one of those cases. Many people took the time to contribute to “Why This is Good…. Looking at Clothing”, it is well worth sharing again. With the many posts I am seeing from people new to the era, I hope this helps. 

There are two files – A smaller printable version and a larger Power Point. Each are attached in as PDFs for easy viewing. (Though it looks like the notes for the PP are not visible.)

Why This is a Good Impression – PDF

Why This is Good Impression Visual Extended Power Point

You will notice in the smaller file there are specific types of impressions I wanted to add but didn’t get around to. How life can distract.

If you are in an image you did not submit, feel flattered because someone thought you had a really great impression. If you want it removed, let me know.

Published in: on April 12, 2022 at 6:42 pm  Leave a Comment  

I Can Not Afford My Own Work

I can not afford my own work.

That sounds absurd doesn’t it?

It’s true. I really can’t, not on a regular basis. If I set money aside, trim corners, and save up, I can treat myself to something like one of my bonnets. But, as a general rule of thumb, no, I can not afford my own work.

I make less than $30,000 a year at my day job. This is as a degreed, certified person, with 20 years experience. So, the basics must come first. Rent, utilities, oh, and food. To cover those year round, I need my small millinery business.

I plan months in advance, thinking about what I want to treat myself for Christmas and my birthday. I make a list of things I need want. Save up the best I can. Then, usually pick the one I need the most. If I am lucky, I can land an extra good deal.

So, when you tell me you are on a budget or you can’t afford my work or something similar, please know: I understand.

Truly, I do. I am on a tight budget now. I’ve been on a far, far tighter budget. I’ve literally lived from book sale to book sale.

Edit: I fear this first part has been misconstrued or I was not clear. I want my readers, my followers, my wish-to-be-clients to know I see you, I understand, and I’ve been there when it comes to being on a limited budget. I want you to keep reading, keep learning, keep trying. Don’t be discouraged by the price tags. There is so, so much more to historical interpretation than what money can buy.

Part 2 – The Elephant in the Room – Etsy and Cost of Materials

It is a pretty heavy time for many artists and artisans. The cost of materials has gone up. Once we think we’ve got a handle on it, it goes up again. Then throw in platform fees.

Let’s talk about that last one first. There is an Etsy boycott and/strike coming up mid April. First, I will not be participating. I believe a boycott of Etsy will hurt merchants and artisans more than it will hurt the platform. This move is taking place at the same time many merchants are attempting to pay their income tax bill and many merchants are attempting to make up for unpaid Spring recess weeks or save for the summer. I also suspect the move was originated with competing platforms, not platform merchants.

Yes, Etsy is increasing their sales fee from 5% to 6.5%. Yes, the reasoning they put forward in the announcing email focuses on customer service, which many merchants feel was fluff at best. Yes, I have reasons for staying with Etsy and not being too upset about that fee increase. For those who do not know, the sales fee covers: the platform which easily searchable and provides security for merchants and shoppers, downloadable csv files for tracking sales and details, and the processing/remittance of sales tax and VAT. For those without experience with state sales taxes: these are processed differently in each state, some annually, some quarterly; they are collected based on the state of the buyer; rates can be state specific or county specific, ie each county within NY has a different rate combining state, county, and sometimes city tax. Collecting, tracking, processing, and remitting this manual would be prohibitive for a great many merchants. If my platform did not do this for me, I would have stopped selling years ago.

What I do have “issue” with is Etsy’s off-site ad process and policy. This has been in place for over a year. I believe the sensible approach to this is to educate consumers about advertisements, as that is beneficial all around. Stay tuned for more on this.

The cost of materials…. sigh. It hurts. Doesn’t it? It seems like almost everything is going up in price. I may have had a not so little fit on Friday regarding the cost of calculators nearly tripling.

The fit was not really about calculators. They pushed me over the edge. It was about shipping and velvet ribbon and silk and wool and bonnet lining and ribbon and packing paper and boxes and… and… gingerbeer and raspberries … and….

We each have our own list.

I am determined to continue to offer you the most accurate and lasting millinery pieces possible. I am also determined to find a way to make millinery affordable. While finding this balance, I need to be sure to keep myself afloat.

The cost of materials and decline of availability did result in a price increase at the turn of the year. Even though additional increases are pushing at me to increase again, I am pushing back in resistance. I am considering restructuring pricing to benefit both my clients and myself. I need to look into that further.

Part 3 – Thank you

I intended to write a post about this. But, rather than have multiple commentary posts, I am putting it all together.

Several of you reached out regarding the recent increase in posts, be it the Women’s History Month series, the Monday Millinery reposting, or writing in general. I thank you for doing so. Yes, I hope this means I am coming out of my slump. Yes, I hope this means I will be writing more. I know I certainly feel more like writing on more days.

I have been thrilled to see people reading again. I see stats numbers up to where the were back in 2017/8 or so. I hope this means people are reading more in general. I think that is a good sign.

I have an idea for a May series of short, daily mini-posts similar to the format of the March series. I need to get that together to see if I can make I happen.

The interpretive season is starting soon. I will make a point to take photos as well as video so I can share the events with you.

Thank you for reading this length commentary post. I hope it gives you some insight and is helpful.

Published in: on April 12, 2022 at 9:32 am  Comments (2)