Readings for Rural Life – The Hoop Skirt

From Moore’s Rural New-Yorker in Rochester, NY

March 26th, 1864

The Hoop Skirt

Fashion kills more women than toll and sorrow. [Scalpel.]

It is a wonder that men and women endowed with the noble faculty of reason, have so little gratitude for the good gift, that they can carry it a willing sacrifice to their worse than heathen goddess. Better might they hide it in the ground, than give it to support the wanton destroyer of their race.

I feel “moved” to speak a contradictory opinion to that of the editor of the Scalpel, expressed in an article recently published in the Rural, on the benign blessings of the modern hooped skirt. But I do not intend to apply to him all I have written above, in retaliation of saying “No sensible person can fail to appreciate its benefit to the young girl or woman.”

If I am entitled to the doubtful compliment, I will bear the honor meekly, but it shall not restrain me from confessing that I do fail to see what he has so happily discovered. ‘Perhaps it is all in consequence of not seeing the matter in a “professional” light; but mine is the “light of experience” which is quite sufficient to enable me to judge of its health-giving properties to my own satisfaction. Of its artistic ones, it is hard telling who is able to judge. The word artistic applied to woman’s dress, has such and India-rubber signification, that it may be one thing, or its opposite, according as it is looked upon by persons who consider the consistency of adaptation to natural requirements, or by those who merely take a fancy to the article, or the lady who wears it. Fashion so changes out aesthetic taste into prejudicial notions, that it is nearly impossible for us to tell whether we judge from the true or an artificial standard. However it may be with myself, evidently it is not fashion that has formed my notions in regard to the hoop skirt, one of which is, that God designed for woman a “skeleton,” and I cannot rid myself of the idea that He must have considered it quite sufficient for her needs; and we might reasonably expect it to be an “admirably artistic and health-giving device,” but Fashion and her devotees have denied it the former property, and after sacrificing the latter through persevering ages, to make some appearances of it possession, til, discouraged of ever arriving at any permanently satisfactory result, they have at last compromised the difficulty with the Devine Artistic, by doing the best they can with shaping a portion of His production so as not to shock too severely the refined sensibilities of humanity, and have disguised the remainder of it by hiding it within a new device, modeled after the most artistic designs of a cooper’s shop.

After such a nice adjustment of things, gentlemen who are intensely susceptible to the influences of the beautiful in nature and art, may be well distressed at any indications of the abandonment of their perfected ideal, which is doubtless appreciated not only because it embodies the most symmetrical proportions in its passive state, but is capable of changing into ever-varying artistic figures: such as those assumed in ascending high places and descending to lower ones, in entering carriages, sitting down in arm chairs, and especially in arising therefrom, in walking in the dew, dust, mud, rain and snow – in short, in being comformable to the demands of any emergency.

Women, without her second skeleton, has no more dignity than a wilted cabbage leaf. It gives her an air of majestic stiffness, so fascinating in a moving object; enabling her to rival the gracefulness of the mud-turtle; besides, it increases her capacity to carry fantastic adornments, which is such a commendable way of disposing of wealth in a country over-burdened with prosperity and comfort.

In regards to health, the editor merits the thanks of woman for his candid and instructive reasoning, but he makes compromises with her follies and weaknesses, instead of advising her to forsake them altogether, that she may secure the fullest measure of the blessings of health. He first inscribes himself within a circle whose circumference he dare not, or will not, over-step, and then does the best lie can within his limits. If he had taken for his theorem, The hoop skirt is injurious, and ought to be abandoned, he would have had some excellent arguments for a demonstration.

I was not aware that “its end is to insure the unrestricted use of the limbs in walking” (why not add in skating also.) If it has such pretensions it is a decided humbug, for everybody has learned that that liberty is not attainable while there is one within sight; and most especially is it true of the person whose every step is measured by a boundary which suggest, “thus far shalt thou go and no farther.” If it is meant to insure that use of them to itself, it is a very pertinent remark, and included both hands, of course. Its “benefit to the young girl” in climbing trees and fences, and doing all other necessary romping, has, probably, some signification not at first apparent.

It is thought to be more healthful than the old style of wearing heavy skirts, but I have heard eminent physicians pronounce it even more injurious; confining a body of cold air about the lower portions of the body, causing unequal circulation, and consequent congestions of the organs in the upper portion. But it is not so very light a load for delicate woman to carry thirty metal hoops, and as many yards of cloth, for a genteel covering, which must be so long as not to expose the feet, or it is offensive to good taste, suggesting a lack in the accomplishment of an intended deception. It is more pleasing to fashionable taste to drag it a few inches or more.

Really, I don’t see how a physician, or any other “sensible person,” can fail to see that crinoline, with its train of evils, is injurious to health, to temper, to the free development of mind as well as body, and a monstrous distortion of the beauty of the human form.

There is a demand for earnest discussion in regard to the momentous question, wherewithal shall we be clothed? and we are always obliged to gentlemen for taking an interest in our welfare; but it will be better, if they will please remember in their advice, that what would be poison to them is not likely to be healthful food for us; and they need not fear to speak contrary to the mandates of Fashion, for potent as she is with our vain sex, their admiration is ten times more so. Faith Wayne. Barre, Orleans Co., N.Y., 1864.

 

Resources for Life

It is not polite to invite persons to your house, when you do not desire to see them.

It is not polite to have foul teeth. A brush should be used after every meal.

It is not polite to question others, in idle curiosity, respecting that with which you have no concern.

It is not polite to utter the ideas of another as your own, and thus attempt to shine in borrowed plumage.

It is not polite to take down a book, or any article, in a store or dwelling-house and not return it to its proper place.

It is not polite to stand at the corners of the streets to stare at those who pass, or to make improper remarks.

It is not polite to wear a peculiar dress, or pursue any irregular course for the sake of oddity or notoriety.

It is not polite to speak unadvisedly to another, or to thrust your opinion, unsolicited, upon a neighbor.  

It is not polite to vote for yourself as a candidate for office, or to solicit the votes of your friends.

It is not polite, if you insist on wearing mourning on the death of a friend to wear that mourning garb for too long a period. When we see ladies persist in wearing sable, we are reminded of the reply a young widow made to her mother: “Don’t you see,” said she, “it saves me the expense of advertising for a husband.”

It is not polite for ladies to wear dresses so long that people are continually stepping upon them.   

Hints of Common Politeness (Boston: 1867)

https://archive.org/stream/hintsoncommonpol00cole#page/n107/mode/2up

Published in: on March 20, 2014 at 1:38 am  Leave a Comment  
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Readings for Rural Life – The Unprotected Female

From Moore’s Rural New-Yorker in Rochester, NY

March 19th, 1864

The Unprotected Female

Editors Rural New-Yorker: – Here are a few thoughts, suggested by reading a part of a letter in the fourth number of the Rural, signed M.J.C. She says: – “The unprotected female, sitting among her boxes and bundles in some bustling depot, is, or ought to always to be, the subject of interest. Made up as she is, of nerves, inefficiencies, headaches, cold feet, anxiety and skepticism, she has a title clear, my dear sir, to you candid opinion, as to whether the cars are moving east or due west, or even to express her conviction that they are stationary and surrounding objects are marching on.”

“The unprotected female!” Will M.J.C. please tell us why a female, unprotected, should demand any more interest or sympathy than an unprotected male? Has not her Creator endowed her with the same instinct for self-protection, and given her reason to guide it? Has He not bestowed upon her the same number of limbs for purposes of locomotion, and given her two hands with which to provide for her wants, and protect herself, the same as he has the male?

“Sitting among her boxes and bundles.” What business has a woman to load herself, or any one else, with such rubbish? It is that she may keep two or three men standing, while she has the satisfaction of seeing said boxes and bundles occupying the seats which, by right, if not by custom, belongs to them? I agree that a woman thus situated ought always to be the subject of kindly interest, – so had a man who carries with him such an unmistakable evidences of an unsound mind. Who can look at woman through the clear glasses of reason, instead of the colored ones of fashion, and not see that she is deficient in either education or independence. Her appearance clearly denotes hat she is an object slave, who is either ignorant of the fact, or considers it an honor that she is such, and is unwilling to appear, at least before strangers, unless surrounded by unmistakable evidences of her servitude. If she goes from home for a visit of a few days, she needs a baggage wagon to carry what she deems necessary for the display of her master’s power.

If she is compelled to carry anything in her hands she is really to be pitied, for women, clothed as this class are, have not even one hand that they can properly claim for any use except to guard their badges from injury. They are arrayed in a manner that makes it actually unsafe for them to enter or leave a car or carriage, unless they have both hands free to prevent their skirts from being caught by one of the projections that seem made expressly to torment poor women – or being entangled by the feet of their fellow travelers. Why, unless they are proud of their servitude, will they consent to be thus shackled, while men go about unencumbered? Their hands are free, never being required to keep their clothes from dragging on the dirt, or being trodden upon by the feet of their companions. Their “boxes and bundles,” even for a long journey, are all stowed in one satchel or valise which they can easily carry in one hand, thus leaving the other free to grab the hand of a friend, or assist some unprotected female who has ventured from home to spend a few days, but is already wishing she was back again; for how is she to change all this baggage from the depot to the cars without breaking her neck or tearing her dress?

“Made up as she is, of nerves, headaches, cold feet, anxiety and skepticism.” Poor things! How much suffering is combined in this sentence. Yet who of the sufferers will allow even their best friends to tell them why they are thus made? I will write [sic] although I will admit that I have not a friend who suffers from these afflictions that I should dare to speak my mind freely to, lest they should consider me an enemy to right, because they consider these an affliction of Providence which it would be sacrilegious to see to escape.

Women have no more “nerves” than men, and they would be no more nervous, where their bodies as healthy, and their nerves a little less taxed by petty cares and little accidents. As to “inefficiencies,” supposed you try the experiment of dressing a strong man in trailing skirts, well extended by hoops! Pin his waist so tight as to prevent his stooping with ease, and only allowing him the use of the upper portion of his lungs. Then oblige him to look after the many boxed and bundles that we unprotected females are required, by fashion, to be encumbered with, and see who is the most inefficient! I would pronounce him a model of patience if he did not swear at the many hindrances and annoyances that he would be subjected to on account of his change of clothing, and consequent baggage.

“Headaches and cold feet” are two severe afflictions; the former generally caused by the latter by imporoper dress in the majority of cases. I have never seen a woman yet, who had not broken out of fashion’s train entirely, that did not dress her feet and lower limbs too thin, her hips too warm, her waist too tight, and carry suspended from her waist, weights, varying according to the season and the caprices of the wearer, from two to fifteen pounds. All these things aid in destroying the circulation of the blood, and the action of all the organs of the body.

That the present suffering of women is a punishment for their sin, I fully believe; but it appears to me that nothing but genuine stubbornness can prompt a continuation of the sins which we know have brought upon us such just suffering. Men, being clothed in substantial goods, made in a manner that allows them the free use of their bodies, and protects them from the cold, do not suffer these many severe afflictions, that are the bane of our lives; except such as they inherit. It would seem that after any class of beings, endowed with reason, had become so enfeebled as the women of the present have, that they would strive in every way possible, to regain their natural powers of body and mind. To do this, the first step should be to adopt a dress that would give perfect freedom to mind and body, instead of one that cripples and deforms the latter, while it exhausts the former to keep it in a condition that will be considered by the rulers as acceptable.

“Anxiety and skepticism” are but attendant evils that will vanish when their causes are removed, which will be when women are not ashamed to be clothed in a manner that will insure them warmth and freedom. I do not believe that there is a woman living in the United States who has reached her sixteenth year, and dressed for the last three years with the least regard to the dictates of fashion, that, when dressed, even loosely, can draw a natural breath at the first trial.

Will women ever learn to consider their bodies as only the dwelling place of their souls, where they are to be fitted for the world to come? If they ever do, we shall cease to hear so much prating about the inferiority of women, and her need of protection. She will then be safe travel anywhere among Christian people unprotected, and will not need “your candid opinion, my dear sir, as to whether the cars are moving east or due west,” and as to “expressing her conviction that they are stationary and surrounding objects marching on,” she will be no more apt to make such expressions then than men will. I have heard many, who call themselves ladies, make remarks that were quite as sensible as that would be; but I consider that their greatest ignorance consisted in no knowing that it is a disgrace for even a lady to be ignorant. Amanda Roberts Keyser. Pekin, February, 1864

 

A Year in Millinery Fashion – 1864

Bonnets are certainly smaller than they were a year ago, and have now, we think, attained a very good size. In Paris, efforts have been made to have the bonnets very small, but without success, as all the ladies of decided taste cling to a “just medium.” (Peterson’s, April, 1864)

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Soft Crown Straw Bonnets

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Published in: on March 15, 2014 at 2:36 pm  Comments (2)  
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Readings for Rural Life – How to Buy

From Moore’s Rural New-Yorker in Rochester, NY

March 12th, 1864

How to Buy

There is a right time to purchase. That time is when goods are low. Goods are low, as a general rule, when there is the least demand for them. Winter goods are low in the spring and summer. Summer goods are low in the fall and winter. The merchant will sell his winter stock in the spring at first cost. His summer stock in the fall at cost. He commonly sells his goods at least twenty-five per cent above the first cost. If, then, you buy his winter goods in the spring, and his summer goods in the fall, you save the per centage, and get your goods at wholesale, or just as low as the merchant bought them by the quantity. If your family requires one hundred dollars yearly in these goods, the savings will be twenty-five dollars, by buying at the proper time. When winter renders navigation and transportation difficult, groceries and heavy goods are generally higher. Sugar is generally high in fruit and “preserving time.” Watch the markets. When the goods you need are below an average price lay in a supply for some time ahead. Buy your goods by the quantity. Let the market be what it will, you can generally buy a quantity at less figures, proportionately, than small amounts. Sugar will cost you a cent on a pound less; tea, ten cents or a shilling; heavy cloths one t two shillings per yard, and so on to the end of the catalogue. Another consideration is not to be forgotten. A good article is much cheaper in the long run, than a poor one at a much less price. Better pay more for a thoroughly made serviceable article, than buy an inferior one, poorly made, at any price. Ready cash is always better than any man’s credit. A dealer, who understands his business, can and will sell for cheaper for ready money than he will for the best man’s credit. A handsome yearly savings may be made, in any family, depending in amount on the number in the family and the quantity of goods used, by buying at the right   time – buying by the large quantity – buying “good goods,” and paying ready cash. If you have not got the cash, live a little closer, cut off all unnecessary expenses, until you get a little ready money ahead, and are thus ready to take advantage of the markets. The saving that can thus be made in providing for the household, if carefully husbanded, will provide for a “rainy day,” or a competence to make old age comfortable. L.L. Fairchild. Rolling Prarie, Wis., January, 1864.

 

 

Published in: on March 12, 2014 at 6:01 am  Comments (1)  
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FanU Mini-Print Fabric Swap!

Today is the day to sign-up for the FanU Mini-Print Swap! New ideas Mini

For the Mini-Print Swap, Swappers will exchange early to mid nineteenth century appropriate cotton fabrics in small/tiny scale prints. This can include florals, geometrics, strips, plaids, etc. We will mail our fabrics on March 31st.

Please read all the details below. 

To Sign-up, simply comment below with your email and mailing address. (I’ll erase those before approving your comment, so the whole world doesn’t have that info.)

What is a Swap?

This is a chance for to exchange fabric with a small group of people. Each group will have 8 people exchanging pieces of fabric. All you need is a half yard of fabric and envelopes along with your copy of Fanciful Utility.

To Participate:

1: Sign Up Day!
On sign-up day, groups will be assigned on a first-in basis; the first eight will be the first swap group, second eight in the second group, etc. **Please be certain you will be able to fully participate by mailing your fabrics on the Mail-Out Date.**

Romantic Swap Sign-Up Day: January 13th
Paisley Swap Sign-Up Day: February10th
Mini-Print Sign-Up Day: March 10th

Bonus Patriotic Swap Sign-Up Day: April 14th

2: Mail-Out Day:
Place a 9×9″ piece of fabric suited to the mid-19th century in envelopes for each of the 7 other people in your swap group, stamp them (be sure to double check at the post office, but the small 9×9″ pieces should mail in a regular envelope with a normal stamp), and send them off no later than the Mail-Out Day.

Romantic Swap Sign-Up Day: January 31st
Paisley Swap Sign-Up Day: February28th
Mini-Print Sign-Up Day: March 31st

Bonus Patriotic Swap Sign-Up Day: April 30th

3: Get Fanciful!
Use your Fanciful Utility templates and techniques to make a project from the book, or copy your own from 19th century sources. We’ll all look forward to seeing your projects! You don’t have to sew right away, but don’t keep us waiting forever to see all the fun things!

(If you need a copy of Fanciful Utility, you can purchase them from the publisher at www.thesewingacademy.com

Fabric Guidelines:

  1. For the cotton and silk categories, your fabric should be early to mid-nineteenth century appropriate. (If there is a want for an earlier or later group, we can do that.) Prints and motifs should reflect those available in the 1840s, 50s and 60s. Cotton should be 100% cotton. Silk should be 100% silk.
  2. To keep the swap and sewing possibilities interesting, please avoid solids as best we can.
  3. Fabrics that do not work well for sewing cases should not be swapped. These include sheers, gauzes, heavy, thick, easy-to-fray, slippery and stretch fabrics.
  4. For the “crazy swap” category, think crazy quilt in a sewing case. This could include satins, velvets, textured fabrics. Quality synthetic fabrics are invited.  

Swapper Guidelines:

  1. Please be certian you can fully participate in the swap before you sign-up.
  2. If something arises after you sign-up that will effect the date you are mailing your fabrics, please email your group so everyone is aware.
  3. If you fail to fully participate in a swap, you will not be able to sign-up for future swaps. (We do understand medical and family emergencies. I need to be able to ensure swappers will receive fabrics when they send fabrics out.)

Q&A

Yes, you can participate in 1, 2 or 3 of the swaps.

Yes, if we end up with multiple groups, you can participate in more than one group to swap more fabric. If you participate in 2 groups, you should swap 2 fabrics.

Yes, you can swap large and small scale prints.

Yes, you can swap now and sew later.

Yes, we would love to see what you’ve made with the swapped fabric.

Yes, you can use your own fabric in your swapped project.

Published in: on March 10, 2014 at 6:00 am  Comments (8)  
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A Year in Millinery Fashion – 1864

2(Peterson’s, March 1864)

FanU Paisley Swap

We all know I am quite fond of paisley designs. So, I’ve been looking forward to doing a Paisley swap since last fall.
I was not disappointed.
The swapped fabrics are so much fun. Take a look:
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Now, this post is a bit delayed because it seems I was the very last one to get all my fabrics. This was by far not the fault of any swappers. In fact, the two fabrics that arrived today were mailed over a week ago. Let’s just say the local postal service stuck again. This time mom talked with the delivery man since her’s were also delayed.
A bit of extra fun – In the midst of this swap, I received my copy of Wearable Prints, by Susan Greene. When I opened this one particular fabric, I was certain I had just seen the colors. Sure enough.
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The next FanU swap is the “Mini Swap” of miniature prints. It actually starts Monday. This swap will be extra fun for swappers who want to make doll size sewing cases. (I hope you saw the doll size templates in Fanciful Utility.)

Published in: on March 8, 2014 at 9:01 pm  Comments (1)  

Exploring Soft Crown Bonnets – pt 4

Soft Crown Bonnets – 1864-65

 (Peterson’s, February, 1864)

A Black Velvet Bonnet, with plain front and cap crown, from Mrs. Cripps, 912 Canal street, New York. On the left side is a heavy rosette of black velvet, under which is fastened a magnificent cherry willow feather, which sweeps over the front and down the right side to the bottom of the cape. On the inside are mixed black and white ruches on both sides; on the top is a full white ruche, a rich bow of cherry velvet, with an end on the lower side; on the right is a bunch of black feather flowers. Broad black strings. (Peterson’s, February, 1864)

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White corded silk front, with puffed silk crown edged with black velvet ribbon, which is fastened inside the front of the bonnet, is carried to the centre of the crown, where it finishes in a point from which to hang clusters of grapes with foliage. Inside trimming is of tulle, scarlet velvet, and purple grapes.

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The front of the bonnet is of quilted gray silk. The crown is soft, and of plain silk crossed with black velvet. Deep blue flowers are arranged on the lower part of the crown, and instead of the curtain are loops of ribbon and lace. The inside trimming is of tulle, black lace, and blue flowers

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Bonnet for light mourning. The front is of black silk, with a fall of chenille fringe drooping over the front. The crown and cape are of white silk, trimmed with a chenille fanchon. The inside trimming is white roses, black grass, and white tulle. (Godey’s, October, 1864)

 

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Bonnet of white silk, with puffed front and cap crown. The cape is very short, and raised on the right side it display a rose and bud. A bunch of roses with leaves is placed over the crown. Roses and black velvet with blonde are arranged as an inside trimming. (Godey’s, October, 1864)

 

SC Godeys Nov 1864

 

 

Published in: on March 7, 2014 at 6:00 pm  Leave a Comment