Readings for Rural Life

From Moore’s Rural New-Yorker in Rochester, NY

October 8th, 1864

Household Conveniences

I have a slate hanging in my pantry with a pencil attached, upon which we are accustomed to write down such domestic concerns as need attention. For instance, upon one side of it is now written, “Send for corn-meal, starch and lamp chimney.” “Examine butter firkin.” “Engage onions of Mr. Allen to-morrow.” These are for my own attention, while upon the other side the girl is reminded to “Brown coffee; gather beans for drying.” “Scald the bread box.” “Wash cellar shelves.” Whenever I find any little item that needs attention either from myself of the girl, I trust it to my slate, and find it much safer than to run the risk of remembering it at the right time. You often hear housekeepers exclaiming “There, I forgot entirely to send for such a thing – or do such a thing, and now it is too late.” Try the slate.

Another – Beside the slate hangs a small blank book, also furnished with a pencil, in which I keep an account of my household expenses. The pages are variously headed “Flour,” “Sugar,” “Meat,” “Butter,” &c., with an extra page, above, I put the amount which I have decided by careful estimate is all we can afford to spend monthly, or yearly, (I have tired both ways) for the article designated. Then I enter every purchase made under its appropriate head, giving date, quantity, price and amount. At the close of each month it is easy to see whether we live within our income or not. You farmer’s wives may think this neither possible nor useful for you, but I assure you if you would once try it you would find a satisfaction from it that would abundantly repay the trouble. I recommend it most earnestly, however, for the wives of salaried men, and mechanics whose income is fixed, and who purchased the staples for their family consumption.  E.H.M.

 

Published in: on October 8, 2014 at 6:05 am  Leave a Comment  
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A Year in Millinery Fashion – 1864

White silk bonnet, with a double cape of Eugenie blue silk. The bonnet is bound with blue silk, and the puffings are also of blue silk. Black and white grasses with a few scarlet berries are arranged on the outside of the bonnet, and also form part of the inside trimming. (Godey’s, October, 1864)

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                         A white silk drawn bonnet, edged with black velvet and white drop buttons. The trimming is composed of crimson tulips and white feathers. (Godey’s, October, 1864)

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 A black Neapolitan bonnet, with a white crepe cape covered with white blonde. The trimming of the bonnet is black lace, black ribbon, and salmon-colored flowers. (Godey’s, October, 1864)

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Bonnets still continue very small, with scarcely any curtain at the back. Quantities of tulle are used, and this is a most becoming style. (Peterson’s, October, 1864)

Ag. Fair 2014, pt2

My hands are pretty cold. So, these might be short descriptions…
This is mom’s soap. It is a lavender.

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This is mom’s butter. Plain. Hand-churned in one of the churns.

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This is Mom’s pickled beets.

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Um, I know this I mom’s. But, I’m not sure what other than sweet pickles.

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Mom’s corn bread. There were several entries.

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Here are Lily’s entries. I’m pretty sure I missed 2 photos.
This was a favorite. The cows really stand out in person. Nice!

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Here is Lily’s pocket, like mine.

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Lily’s apple and cranberry pie with crumb topping.

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Lily’s white bread.

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Here are two of her other photos. I need to get her out for the blooming spring colors.

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Published in: on October 5, 2014 at 7:05 pm  Leave a Comment  
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Ag. Fair 2014, pt 1

“Brrrrrr…….”
That is me as I sit here bundled up, trying to warm up and sharing the entries from this year’s.
This as a light entry year for myself, and it appeared in general. One of my goals is to get someone new to enter each year. This year, my friend Sheryl entered some tasty goodies. She won a blue and a red ribbon. Yeah, Sheryl!
My first entry is an embroidered pocket. I realized Lily & I both need new pockets. Her’s needs to be bigger. I need to not ruin the one made for me. So, embroidered pockets. (Her’s is in the other post.) The needlework categories are all 21st century. I still stuck to pulling the design from an original.

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For the sewing non-corded garment category, I entered my sheer soft crown straw bonnet with the scallop edge. I would have actually given the blue ribbon to Melanie’s beautifully done, hand-sewn Regency dress.

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This photo didn’t come out well. This is a work pocket based on an original in the Winterthur Museum. When I first saw it, I thought it would be silk. But, it was a cotton print. The front center lifts up to show needle pages. The fullness is gauged onto covered pasteboard. (I’ll likely do a post just on this piece. Hopefully soon.)

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Remember how I said one goal of mine is to find new entrants? The other is to enter a new category. This was quite the new category for me – A wood project. I made a ribbon spool holder. This will help me display my faux ribbon rolls when doing demonstrations. The faux rolls look like full spools of ribbon, but are just a few inches. I had no idea how bad my arm was going to hurt after several hours of sanding by hand without a sanding block. I was so unsure of how it looked, I almost chickened out of entering it. I was floored to find out I got a ribbon. Granted, I was the only one who entered.

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Then there is the problem child…. shrub. Last place again. This was the shrub I made at the begining of the summer, a Cherry & Mint. It was very tasty & refreshing at the summer events. Ya, well….. I was able to taste the winning Black Raspberry Shrub. A-Mazing! It was so good. I could smell the vinegar but could not taste it. When I got home, I popped the cork off mine. Um, ugh, ack!!! The vinegar took over. It was knock you on the floor strong. I am so embarrassed I didn’t double check it. It was awful. Lesson learned.

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There was one more, last minute entry. I had not planned to enter my Worden Grape Jam. But, when I mentioned (okay, ecstatically exclaimed) I tried my hand at jam, Marie said to bring it in. There were so many jam/preserve entries, I didn’t expect to place. But, now I can say I entered.

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Published in: on October 5, 2014 at 6:56 pm  Comments (1)  
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Pink & Black Soft Crown

wpid-2014-09-28-17.28.35.jpg.jpegWhen I finish bonnets they usually spark an “Oooo” or a “yeah” or some wordy expression. This one, goes on its stand and just gets a smile. I am so pleased with how this came together, I just enjoy looking at it.

This was a custom piece for a client. For many weeks we picked through silk colors, ribbons and flowers to get just the right combination.

wpid-2014-09-28-17.29.04-1.jpg.jpegThe straw brim is a black plait from England. The soft crown and bavolet are a combination of a pale pink silk taffeta and a beautiful, delicate black antique lace. The soft crown has the stripes of the lace running vertically, while the stripes on the bavolet are running diagonally, bias-esque.

 

 

wpid-2014-09-28-17.29.30.jpg.jpegAn amazing ribbon drapes over the top of the bonnet along where the brim and crown meet, then down the cheektabs for the ties. This ribbon is a black taffeta with pink and dark green satin stripes. A large bow of this same ribbon sits at the base of the crown, just above the bavolet. Combined with the pink damask ribbon in the flowers, there are nearly 5 yards of ribbon on this bonnet.

 

wpid-2014-09-28-17.30.19.jpg.jpegThe flowers are a combination of dusty rose and pink velvet roses with a pale pink rose and little pink velvet blossoms. The arrangement inside the brim is connected to the bouquet atop the brim by a soft pink damask ribbon that winds in and out of the flowers.

Getting the right balance was important to me. Too much weight in the back makes a bonnet slide; while too much weight in the front makes a bonnet feel heavy. I think this balances pretty well with the bow and flowers counter weighting each other. So, it is pretty and balanced. Happy me.

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Published in: on October 3, 2014 at 4:52 pm  Comments (2)  
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The Quilted Items….That Weren’t

If you follow me on Facebook, I’m sure you’ve heard me whine about the last Ag. Fair entry that wasn’t to be. This last item was to be something in the “Quilted Garment” by hand category.

Prior to September, I had it in my head I was going to quilt a little quilt, something in the “Household” category. When the deadline for the entry form came, I decided a quilt, no matter how small (unless it was a doll quilt), was not going to happen. I determined I would make a yet to be determined quilted garment.

I should back up and say…. If only I hadn’t done the seams in my quilted petti with a machine. 😦

At first, I figured I could make a quilted bonnet in one of the nifty different shapes I have been looking at. Quilted bonnets are fun. I enjoy them. I think what sub-consciously squashed that was that I entered quilted hoods a couple years ago. To be personally satisfied, I would need to draft a completely new pattern from an original soft bonnet for this entry. I just didn’t get that far.

A few weeks rolled by…..

A few ideas came to mind….

and were quickly forgotten…..

As of mid-day Wednesday, I had it in my head I would hurry home to draft a baby bonnet pattern and make a silk baby bonnet. After all, I have plenty of friends and family with babies in belly or recently from belly. Ah….. nope….. Staring at the silks, none said ‘baby bonnet’ to me other than the black silk which is for something else.

I officially called the last entry a ‘fail’.

(mind, I still have the second to last entry to finish)

As of this moment, mid-day the day before I have to drop them off….. I am still toying with the idea of actually pulling something off. Insane…. yeap

While warding off the potential insanity, let’s look at some of the quilted garments that were not to be… at least this year….

Published in: on October 2, 2014 at 12:18 pm  Comments (3)  

Readings for Rural Life

From Moore’s Rural New-Yorker in Rochester, NY

October 1st, 1864

How to Tell a Lady

Two women shall get into an omnibus, and though we never saw one of them before, we shall select you the true lady. She does not titler when a gentleman, handing up her fare, knocks off his hat, or pitches it awry over his nose; nor does she receive her “change,” after this (to him) inconvenient act of gallantry, in grim silence. She wears no flowered brocade to be trodden under foot, not ball-room jewelry, nor rose-tinted gloves; but the lace frill around her face is scrupulously fresh, and the strings under her chin have evidently been handled only by dainty finger. She makes no parade of a watch if she wears one; nor does she draw off her dark, neatly –fitting glove, to display ostentatious rings. Still we notice, nestling in the straw beneath us, such a trim little book, not paper-soled, but of an anti-consumption thickness; the bonnet upon her head is of plain straw, simply trimmed – for your true lading never wears a “dress hat” in an omnibus. She is quite as civil to the poorest as to the richest person who sits besides her – and equally regardful of their rights. If she attracts attention, it is by the unconscious [sic]ace of her person and manner, not by the o[sic]entation of her dress. We are quite sorry when she pulls the strap and disappears; if we were a bachelor we should go home to our solitary den, with a resolution to become a better and a – married man.

 

Published in: on October 1, 2014 at 6:04 am  Leave a Comment  
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“All Lined Up in a Row” FanU Swap – Sign-up Day

Today is the day to sign-up for the FanU “All Lined Up in a Row” Swap!

For the “All Lined Up in a Row”  Swap, Swappers will exchange early to mid nineteenth century appropriate cotton fabrics with motifs lined up in a row, just like a garden. We will mail our fabrics on October 10th.

Please read all the details below. 

To Sign-up, simply comment below with your email and mailing address. (I’ll erase those before approving your comment, so the whole world doesn’t have that info.)

What is a Swap?

This is a chance for to exchange fabric with a small group of people. Each group will have 8 people exchanging pieces of fabric. All you need is a half yard of fabric and envelopes along with your copy of Fanciful Utility.

To Participate:

1: Sign Up Day!
On sign-up day, groups will be assigned on a first-in basis; the first eight will be the first swap group, second eight in the second group, etc. **Please be certain you will be able to fully participate by mailing your fabrics on the Mail-Out Date.**

“Fallen Leaves” Swap Sign-Up Day: September 1st
“All Lined Up in a Row” Swap Sign-Up Day: October 1st
“I Couldn’t Live Without It!” Sign-Up Day: November 1st

Bonus The Greene Swap Sign-Up Day: November 15th

 

2: Mail-Out Day:
Place a 9×9″ piece of fabric suited to the mid-19th century in envelopes for each of the 7 other people in your swap group, stamp them (be sure to double check at the post office, but the small 9×9″ pieces should mail in a regular envelope with a normal stamp), and send them off no later than the Mail-Out Day.

“Fallen Leaves” Swap Sign-Up Day: September 10th
“All Lined Up in a Row” Swap Sign-Up Day: October 10th
“I Couldn’t Live Without It!” Sign-Up Day: November 10th

Bonus The Greene Swap Sign-Up Day: December 1st

 

3: Get Fanciful!
Use your Fanciful Utility templates and techniques to make a project from the book, or copy your own from 19th century sources. We’ll all look forward to seeing your projects! You don’t have to sew right away, but don’t keep us waiting forever to see all the fun things!

(If you need a copy of Fanciful Utility, you can purchase them from the publisher at www.thesewingacademy.com

Fabric Guidelines:

  1. For the cotton and silk categories, your fabric should be early to mid-nineteenth century appropriate. (If there is a want for an earlier or later group, we can do that.) Prints and motifs should reflect those available in the 1840s, 50s and 60s. Cotton should be 100% cotton. Silk should be 100% silk.
  2. To keep the swap and sewing possibilities interesting, please avoid solids as best we can.
  3. Fabrics that do not work well for sewing cases should not be swapped. These include sheers, gauzes, heavy, thick, easy-to-fray, slippery and stretch fabrics.
  4. For the “crazy swap” category, think crazy quilt in a sewing case. This could include satins, velvets, textured fabrics. Quality synthetic fabrics are invited.

Swapper Guidelines:

  1. Please be certain you can fully participate in the swap before you sign-up.
  2. If something arises after you sign-up that will effect the date you are mailing your fabrics, please email your group so everyone is aware.
  3. If you fail to fully participate in a swap, you will not be able to sign-up for future swaps. (We do understand medical and family emergencies. I need to be able to ensure swappers will receive fabrics when they send fabrics out.)

Q&A

Yes, you can participate in 1, 2 or 3 of the swaps.

Yes, if we end up with multiple groups, you can participate in more than one group to swap more fabric. If you participate in 2 groups, you should swap 2 fabrics.

Yes, you can swap large and small scale prints.

Yes, you can swap now and sew later.

Yes, we would love to see what you’ve made with the swapped fabric.

Yes, you can use your own fabric in your swapped project.

Published in: on October 1, 2014 at 6:00 am  Comments (9)  
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Learning & Living History at The Genesee Country Village & Museum

Check out the Genesee Country Village & Museum’s new video showing how they help children learn about history.

(The link does go to the video on Facebook.)

GCV Educ promo video screen shot

Published in: on September 29, 2014 at 3:05 pm  Leave a Comment  
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A Year in Millinery Fashion – 1864

Curtianless bonnets are rapidly gaining ground in Paris. Some are but mere caps, almost entirely covered with flowers; others are a half handkerchief, with a small front; and other again have only a fall of lace for the crown. In the next number we will give a very pretty illustration of one of these curtainless bonnets, and the ladies will then be able to decide whether to accept or reject them. (Godey’s, September, 1864)

Published in: on September 29, 2014 at 1:01 am  Leave a Comment  
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