If I Had My Own Blue Box:

or, inspire gifty goodness….

This book is listed as a Fabric Sample Book from 1863, by Papeterie Darras-Heumann of Paris. The contents look quite like kerchiefs to me. Meaning the corners of them.   Others have a look that almost has a deco feel. A couple of them even mock the look of lace.

I don’t remember if I included this book in the list of swatch books I previously shared. This one is Imprimes en tous genres from France in 1860. There are dozens of swatches of pretty silks we don’t have any more. 

These Embroidery Patterns are earlier than most of my readers look for, being 1730. But, I think you will see why I want to share them. They are lovely. They are also on a grid for those who like grids. I do not know enough about the 1700s to say what these patterns are suitable for. I do see that there is a variety of sizes with a mix of floral motifs and viney almost knotwork like motifs. Towards the end of the book, the designs seem to be for filling larger spaces or borders.(If border patterns are needed, also check out this 1759 Modelbuch.)

This turn of the century published book, Essai d’application de la peinture à l’art de tricoter, is absolutely adorable with the color illustrations that appear to be beneficial for a beginner in need of period design guidance. (I admit I do not know French and new to needlework myself.) I would love to know how these designs go together for a bonnet:

Ms. Eliza Reed made a book that one really needs to turn through in person because she layered different size pages on top of each other. Some designs appear to be tracings because of the way the lines flow. Others are free sketched. I can’t quite tell if the bonnets and caps are clippings or sketched.

Fourth quarter crafties:

• Ladies’ Fancy Work, by Mrs. C. S. Jones & Henry T. Williams – 1876 – Making flowers, feather work, hair work, shell work, frames, star work.
• Household Elegancies, by Mrs. C. S. Jones and Henry T. Williams – Stain glass, wall pockets, wall brackets, work boxes, etc.

Especially when they fit.

As one with not small legs, comfortably fitting stockings for events can be challenging. A snug stocking can range from uncomfortable to downright painful as the legs swell with the heat. In the winter, a tight stocking is just awful because the constriction interferes with blood flow and warmth.

But, when you find that Oh, So, Comfy Fit….. Ah, the whole world is wonderful. Well, okay, at least it can greatly help.

My good friend, Gail, has recently decided to close her historic merchant business, Oakhill Clothiers. Today, I was lucky to select 4 pairs of the stockings from her, two cottons, a wool and a silk.

I happen to know she has more stocks/stockings like these and in many other colors to sell as she liquidates her stock. If you want a pair, I can get you in contact with her. (now that I am home, I’m wishing I had bought some red too.)

ADDED: ALL GONE

With winter coming up, wool stockings are nice to have whether you are doing a historic event or just live where it is cold and snowy. These wool stockings have a nice smooth fit. The knit pattern hugs the leg without feeling overly snug anywhere. This is particularly nice.

This pair of vertically striped blue and brown cotton is very comfy. These are soft and a loose knit. So, they will breathe. They comfortably fit over my knees. I have a size 7 wide foot. They do not constrict in the toes at all. The heel comes a bit past mine. So, these will fit a larger foot nicely.

Here are some measurement photos. There is plenty more give to these, meaning they will fit larger legs.

I just had to have this blue and cream pair. I have a feeling these will be worn A Lot this winter. They are just that comfy.

She had a really nice pair of silk stockings with a clocked pattern over the ankle. I like the white on white clocking. It is subtle, yet pretty. These fit through my calf nicely. They don’t stretch quite as well over the thigh. This is just fine with me because these will be for dancing, which means I’ll be wearing the below the knee.

For my Regency friends, Gail also has long knit gloves. Here Gail is modeling them. (I have short fingers and just don’t do gloves justice.)

ADDING: Here are the many choices Gail has:

Wool

Silk, cotton stripes and I have to check.  Cotton Cotton

I don’t know what it is, but lately my brain has been as scattered as the falling leaves. Really. No matter how much I neaten up the leaves, sweep them off the porch, the next thing I know the leaves are scattered all over the place again. Basically, it is:

So many projects….. so little time.

I should really be focusing on wrapping up a last, delayed straw project, pairing up the all too chatty silks and linings for the season’s winter millinery, pinning down the bits and pieces for the upcoming winter sew-alongs floating in my head and finishing up cutting the bits and pieces for the upcoming workshops at the Domestic Skill Symposium.

But, these nifty ideas keep falling out of nowhere. There are all these tastefully distracting “Ooooo, I want to make that”s.

Florence Hartley’s The Ladies’ Hand Book of Fancy Work is a ridiculous level of distraction. (Some of these likely look familiar to 1850s/60 periodical readers.) The book is page after page of projects to make. The book has something for just about everybody. This time of year, I find the slipper patterns too tempting. Who doesn’t want a pair of warm, soft slippers for the winter?  (For those who love knitting or crochet, you may find The Lady’s Album of Fancy Work, 1849 additionally interesting.)

Then there are the amazing personally made design books, those women compiled with their own drawings or clippings they have used. They are full of beautiful designs to make. At the same time, they are beautiful in and of themselves. How tempting it would be to make my own book of designs in an early to mid nineteenth century style. Mrs. Watson’s 1824 Book of Designs is full of hand inked designs. The first several appear to be edges that would work for petticoats, chemises and drawers. Some would be nice for kerchiefs, early fichus or personal whites. Her illustrations increase in size as the book continues. She also includes several circular designs and horseshoe-esque shapes.  One can only wonder what she was working on.

Similarly, this 1850 book of Embroidery Designs is packed full of pretty embroidery designs. While the author/illustrator is unknown, the shapes of the designs with the occasional outline, give us an idea of what each piece may have been for. I see a few that may have been a fichu, other collar edges. She even has a one that is likely a cap.

This  Design Book just wins me over though. Again, the author/illustrator is unknown, as is the date (though there is a clipping pasted in the middle of the book with a male’s name and 1839 date.)  It is filled not only with designs for needlework, but also shapes I think were for quilting.  The shapes are cut from an assortment of papers. Some are plain with a bit of visual texture to the makeup. Some are printed papers appearing to be periodical publications. Some are handwritten (notice how the words are repeated as though from school?) The cut outs were either for the quilting itself or for the pieces. I am pretty sure I see a couple that make up parts of an album quilt. Wouldn’t it be great to take her shapes and see what they could make??? (I am really puzzled by the clipping with the name/date. That clipping has a pin pricked design on it. Turning the page, there is an additional clipping, also with pin pricking, that has the same name and multiplication problems on it.)

So, this is why I need to not touch my laptop when I am home and have things to do. Too many tempting projects…. too little time.

Winter wear in a pretty green and cream silk trimmed with dark green silk ribbons. The wide lofts filled with squishy wool are quilted along the lines of the check. The double layer of wool batting makes this hood soft and warm. The full crown gives plenty of room for your coiffure. It is also adjustable along the neckline.

Inside is a pretty period cotton print with fluffy white flowers. It ties closed with a durable white cotton sateen ribbon.

This hood is currently available in my Etsy shop.

~

Please read this post from Kitty Calash: “Men, Women, and Work.”

Years back, I determined “I do not cook.” This started out thanks to summers of doing a residential scout camp all summer where I cooked outside each and every week. I had enough of campfire cooking.

This stance of “I do not cook” has evolved into the observation Kitty shares: All too often women are tied to a campfire at military events.

For me, that is many levels of unappealing

I acknowledge some women love to cook, enjoy cooking, choose to cook. Cheers to you! Some of you do your research and impressions exceptionally.

Then there expected or assumed situations that ‘wife’, ‘girlfriend’, ‘mom’ is going to cook and care for me in camp.

Um. No thank you.

When little sister started developing an interest in historical interpretation, I repeatedly cringed at mom’s suggestion, um, read “push”, to cook. To me cooking is….. having to tow around heavy pots and pans…. having to box and store dishes…. having to deal with digging a fire pit…. having to deal with a fire…. having to deal with food… being stuck in camp….

Ugh. No thank you.

I am so very, very thankful for historical settings that invite a variety of domestic, social and business based interpretations. I am so very, very thankful for period publications, such as Moore’s Rural New Yorker, that show women venting about their distaste for the kitchen and those who hire in instead.

I completely forgot how much fun balls can be. Btw, I mean the round, spherical kind not the dancing kind. Though, those can be fun too.

“the little ball, the great, the empty ball, and the leathern ball.” (Ebenezer Landells)

Back when I taught Pioneer Days Camp at Stone Tolan, I included a ball project for some of the weeks. I took the ball design from The Girl’s Own Toy-Maker, by Ebenezer Landells. In this book, the author suggests sewing the ball of cloth or leather, alternating colors and filling with bran. The same author writes a little more about balls in his companion book The Boy’s Own Toy-Maker. Here he suggest, for a handball, the use of India-rubber or cork wound round with worsted (a woolen yarn/string) until the size of an orange.

While these written directions obviously intend these balls to be toys, we also find balls that were used for pin cushions. Eliza Leslie writes of a twist on the ball pin cushion, transforming it into a ball needle-book. I have yet to make this one.

These ball pin cushions is what has recently reminded me how much fun balls can be.

I have been filling most of my balls with wool wadding rather than bran. Have you ever tried using something like bran with small children? Let’s just say it can get a tad messy. Other filling options of various function and authenticity, could include walnut hulls (I have a lovely one with lavender from the quilt shop), rice, sand, emery (for small pin cushions), sawdust or small beans.

I like using the shape from above. For lack of a better word, I’ve been calling it a petal because it sorta looks like a flower petal. If you are worried about the proportions, there is a simple formula to use:

• SW=2H
• S is the number of segments
• W is the width of the segments
• H is the height of the segments
• So, a 3″ tall petal would need to be 1″ wide if you want 6 segments or petals.

Of course, the fun part is selecting the fabrics. With an even number of petals, you can alternate fabrics. With an odd number, you can use an assortment of fabrics. There are an endless number of combinations. Alternating velvets and silk taffetas can create a play on texture. Using red and white stripes in combination with white stars on blue can make a patriotic ball. The stripes in a corded fabric can be angled to play with a single color.

Many other ways of making balls that seem to pop up over time – triangle, octagons, etc. I’ve started a pin board just for these here.

For more toys and games, I recommend

• An American Girl’s Book by Eliza Leslie
• The Little Girl’s Own Book by Eliza Leslie and Lydia Maria Child
• The Girl’s Own Toy-Maker by Ebenezer Landells
• The Boy’s Own Toy-Maker by Ebenezer Landells

From the hands of Mandy Kallal and Marie Waters Hoobery, a new civilian reenacting publication will soon be available.

The Homefront Herald.  A magazine by civilian reenactors for civilian reenactors.

 

My favorites from this year’s Ag. Fair…. Let me first say I was both pleased and saddened by this year’s entries. There was some absolutely amazing work, I mean AMAZING. But, at the same time, there were far, far fewer entries. I remember when I was little that the meeting center and tents were filled, really filled. Then I remember when it was the whole meeting center, all three rooms. This year, barely two rooms were filled. This made me so sad.

Cheese has always been one of my favorite entries to see. I think it comes down to the cheese Grandma used to bring home at the end of the season. My favorite was the less than authentic peppercorn filled cheese. To this day, one of my comfort foods is simply pasta with a good hard cheese grated on.

This is one of the children’s entries. I thought this young person’s work really was nice. It happens to remind me of my Grandma Worden, who used to do this kind of needlework.

Each of the hooked rugs entered this year were beautifully done. There was just something about this one though. I think Grandma would have loved it. It is playful, pleasing and just the right balance of colors. Love it.

There were a pair of pockets that made me really glad I did not enter a pocket this year. (I had been thinking about doing a doll’s pocket.) One was a lovely patchwork. The other a stunning embroidery. Both in beautiful shades of blue that I am rather partial to.

All of the needlework embroidery entries were amazing, stunning and so very well done. I have long thought this section needs to be reworked to reflect the needlework styles of the nineteenth century. This set of entries exemplifies why. Each one is an excellent example of a different type of needlework. Anneliese made the beautiful flame stitch pincushion, Allison worked the white work handkerchief and the punch work is by Judy (who I think I remember.) At least two other entries in other categories could easily also be considered for their needlework, the pocket above and the cap below.

This cap, wow. I don’t know what to say beside ‘wow’. This is also made by Anneliese. I hope you can see all the detail including those worked dots. (I’m sure they have a name. Fingers cross she’ll comment below about them.)

This best example of wooden ware made me “oooo” so loud I had  a response back from the other room. I can not imagine the amount of carving that went into these. I’m hoping we will get to see what they produce in the future.

This quilt was quite pleasing. The colors work so well together. I have this style applique on my ‘wish to do sometime’ list. I hope I can pull one off this nice.

Lastly, we have my mobile favorite. I got myself some goat lovin’. This goat was such a sweetie. While I was petting this one, a smaller one was nibbling on my wool coat and dress just below. No marks, best I can tell. Eventually, one of the bigger goats started knocking the one I was petting out of the way. When it got aggressive, It was time to go. The little one bleated away at me through the gate while the one I was petting just starred. 😦

Make sure you see the Ag Fair part 2 post for mom’s other entries.