Welcome to the 2017 Spring Sew Along – A Rolled Sewing Case!
Please be sure to read the Announcing post with directions for ordering your Tin Tube, made by the Genesee Country Village and Museum’s Tinsmiths and suggested materials list.
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This week we are going to cut our materials and prepare the exterior material. (Your tubes should be arriving about now.)
First, decide what you want your Rolled Sewing Case to hold. This will determine what kinds of pocket you will want and how long your case will need to be. I recommend sketching out on a piece of paper what you will want in your sewing case. It may be helpful to cut a strip of 4″ wide paper for doing this. Leave 3 inches at one end to go around the tin. Here are some ideas:
I decided to have a simple case with one pocket and a pair of small pages. (Okay, the fact that I had pre-cut my leather years ago decided the size of my sewing case.)
Next, shape one end for the closure. This can now become your template for your materials. Redraw it if necessary.
Cut 1 layer of exterior material.
Cut 1 layer of interior material.
Cut your needed pockets – Remember to leave a seam allowance and hems for these.
Cut 2 circles 2″ in diameter for the outside of the ends and 2 circles __” in diameter for the inside of the ends. You may also want to cut 2 pasteboard or cardstock circles the size of the tin ends.
I am going to assume most of us are using an exterior material that is more difficult to sew through.
You may find it easier to pre-drill the holes in your material with either an awl or a sewing machine. These holes should be 1/4″ in from the edge.
Starting at the center of the closure, lay your ribbon binding on the exterior of the exterior piece, with about half overlapping. This should like the selvage up so it just covers the holes you made. Sew the ribbon around the perimeter of the exterior material. All the way around. Be sure to miter corners tightly.
Finish the ribbon by folding the raw end under. Some may wish to press the ribbon over to the other side. (I have not done this because I used leather and don’t know what will happen.)
Some may wish to have their feline assistant approve their work.

Next week we will be creating the interior.
Wearing nineteenth century clothes, we find they fit differently than our modern clothes. The waist is in a different spot. The bust sits differently. Seams are used to accent or de-accent parts of the body. The fit feels different and moving in the clothes is different. The same is true for hats and bonnets. In previous posts I’ve talked about 





To the right is a sampling trio of hollow sewing cases. The top is the accompanying illustration for a housewife published in Peterson’s Magazine in 1862, Arthur’s Home Magazine in December of 1863, August 1864, and Godey’s Lady’s Book in 1864 (directions follow). The bottom left is an undated sewing case of similar construction that I suspect is late 19th century based on the sewing and accompanying advertisement. (The image in Pinterest links only to a Flicker account that I have not been able to find the original image or location in.) To the right is another broken Pinterest link. This one is noted as an early twentieth century example attributed to Shakers. The use of this material can be found earlier. The seams appear to be hand sewn.







