For my purple lovers!
This plaid is so very pretty and makes a sweet winter bonnet. Inside is soft wool and a silk lining.
Made directly from an original in my collection, this bonnet is entirely hand sewn .
100% silk taffeta
Local, hand combed wool
100% silk
Cotton sateen ribbon
Have you ever looked at photo of a great dress, a truly great dress, but there was just something missing? For me, that is often the collar and cuffs. Be it a beautiful fashionable dress or a basic utilitarian dress, women protected their clothing from perspiration with personal linens in the form of collars, fichus and cuffs. Including these simple cotton pieces can really make or advance an outfit. Skipping this finishing component can really set your image back.
Here a sampling of women at work domestically from Lilly Martin Spencer.
Collars, cuffs and fichus varied and somewhat evolved as years and decades went on. You will want to study your particular years of focus to determine the shape, width and treatment that is appropriate for you.
In general, each will take a minimum of material; a fat quarter of fine muslin, lawn or organdy can make nice collar and cuff options. I suggest starting simply, with a hand rolled hem and bias binding for the collar and a simple, hemmed and folded cuff. The fichu directions below can be made a half yard of fabric. Having a few of these on hand is very handy. 😉
Resources:
Here is a blue and black check silk taffeta winter bonnet trimmed with black silk taffeta ruche. Lightly hand quilted with local wool so it is soft and warm. Inside is black polished cotton.
Made directly from an original in my collection, this bonnet is entirely hand sewn .
100% silk taffeta
Local, hand combed wool
100% cotton, polished cotton
Cotton sateen ribbon
Tonight I have a brick red and brown check silk taffeta hand quilted with a pretty design. It is filled a super soft local wool and lined with black polished cotton. The brim is a little deeper than the other recent winter bonnets I have offered.
Find it in my shop.
Okay, technically this is more a a belated fall and early winter project list.
Projects you will see in the shop:
Projects for me, gifts, etc:
Tonight’s winter bonnet is a black silk taffeta trimmed in a ruched plaid silk taffeta, hand quilted with local wool batting and a polished cotton lining.
A quick post about wadded bonnets – This is abbreviated because I have a larger publication in mind.
A “Pumpkin” bonnet is a wadded bonnet, most commonly made of silk on the exterior and polished cotton, cotton or silk on the interior. Wide, full channels are filled to a full loft with wool batting either lightly or densely. The channels are separated by smaller channels, single or multiple, that are drawn in by cord or ribbon. The front brim may or may not have a decorative ruffle, attached or tucked from the base exterior fabric. These usually have a petite to moderate bavolet either lightly filled with batting or without batting.
Some other terms that seem to apply: Wadded bonnet/hood, “Ugly”, a “Kiss-me-quick”.
Most museums seem to start their dating of wadded, pumpkin style bonnets to the 1840s. Some do push earlier, as far as the late 1700s/early 1800s, such as this example from the Boston Museum of Fine Arts.
As domestically made winter bonnets were a utilitarian garment rather than a fashionable one, their appearances in fashion literature is limited. I see one set of passages referencing a wadded bonnet, drawn in, worn close to the face that may help us give wadded bonnets drawn close to the latter 1830s:
In the Ladies Pocket Magazine, of 1838, London, we see a mention of wadded bonnets as a fashionable item. Of English fashions – “Wadded bonnets which before were very much in vogue, are now almost the only ones adopted in promenade dress, and it must be confessed nothing could be better calculated for the season, particularly when they are worn, as in often the case, over a blond morning cap of the demi-cornette form.” (In this passage, wadded pelisses and wadded mantles are also mentioned.) Of Paris fashions “Winter has set in with all its rigour, but that is of little consequence to our elegantes, who, occupied with the grand dinners, balls, and fetes that are always given in the commencement of winter, have deserted the promenades. Novelty in out-door costume is consequently out of the question, velvet or satin mantles, which are trimmed and sometimes lined in fur, that their busts are defended by a large fur palatine, their hands doubly shielded by fur cuffs, and a muff, and their pretty faces guarded by a large wadded bonnet, which completely meets under the chin, we have said all that can be said of out-door dress.” The year prior, the same publication tells us: “We may cite with confidence, among the new bonnets will be very fashionable, the capotes a conlisse ouatees, or wadded drawn bonnets; the are a most comfortable head-dress, composed of satin or pou de soie, lightly wadded, and simply trimmed with ribbon. They differ a little in shape from the other bonnets, sitting closer round the face.” This may or may not be the beginning point of the wadded, pumpkin style bonnet. Neither publication includes an illustration of this practical winter wear in the midst of the popular large bonnets of the era.
In that same time period, we see wadded and quilted bonnets constructed for children in The Workwoman’s Guide. The illustrations suggest the quilted versions have larger crowns that are volumous in some cases. It is important to note the difference between this shape and the Pumpkin shape. I believe this is the construction that evolves through the rest of the century as the quilted bonnet.
Blackwood‘s suggested I should look at “quilted wadded capotes” as well as “bonnets” and “hoods”. Though, this February and March 1843 Peterson‘s suggest capotes were quilted, rather than wadded with loft.
One of only photographs clearly depicting a wadded “pumpkin” style bonnet/hood is a bit of tease. While taken in 1897, the photograph does not show contemporary/current wear, rather historical costume wear. This photograph is held by Deerfield.
The 1860 painting, School Girls, by George Augustus Baker, shows the girl on the left in what could be a red silk wadded pumpkin bonnet. The artist did several studies for this painting, including Little Girl in a Red Bonnet, which is undated.
I’ve just added an incredibly soft quilted bonnet to my shop. The local, hand combed, wool batt was nearly two inches thick. So soft, with such loft.
The black silk taffeta bonnet is lightly hand quilted and entirely hand sewn. Inside is a polished cotton lining and cotton sateen ribbon ties. It is trimmed in a gold silk taffeta cut on my antique pinking machine.
Looking for a snuggly warm pumpkin bonnet?
This one is made with a deep berry and tan mini check silk taffeta, local wool batting and polished cotton. (I didn’t realize I had the one lining piece polished side in until I was stuffing the batting. So, price cut.)
I bought this soft paste sugar dish thinking it might match my teapot. It does not.
I want to ask my readers if anyone collects the shape before putting it one Etsy. The design is very pretty. The lid is missing the finial.
I will leave this up for a little while.
If I Had My Own Blue Box: 