I needed to make a feel-good piece, something from my creative artistic side. This hat celebrates the straw.



I needed to make a feel-good piece, something from my creative artistic side. This hat celebrates the straw.



This is a small album of mostly cdvs. A note at the front says Charles H Dearing. All but one page is filled. The cards are in the pages tigh enough that I don’t want to remove them to check the backs.
There is some moisture damage to the bottom of the album, causing the pages and cards to thicken and the cover to tear at the folds.




















Each year, I find I reflect on the time and money I put into creating millinery pieces. My hope is to help others understand what it takes to go from a hank of straw to bonnet or hat, and the prices I place on my work. This year, I am going to try to let the numbers speak.

I did a little breakdown of a $100 item at the beginning of the year for myself. It looks like this:
$100 Item
10% discount 80+% of buyers use – $10
Shipping beyond $6 – $4-$10
Etsy fees 6.5% + 3% +.20 – $13
Shipping materials – $1
Item materials – $20
Total – $48 to $54
Remains – $46 to $52 –>At 10 hours = $4.60 to $5.20/ hour
(If I actually paid myself a living wage of $25/hour, this $100 item would need to be closer to $250 to $326.)
For those who don’t know, straw millinery was meant to be a hobby. Instead, it became a financial necessity as an Etsy business following my full-time day job. After a full day of work, I put in 3 to 5 hours of sewing, blocking, photographing, packing, etc, each week evening with an additional 10-12 hour days on the weekends.
I just added new hats & bonnet to my Etsy shop.
Four ultra fine woven straw bonnets suitable for the 1850s into the 1860s.




Two Bergère hats, including a plain one and my new favorite with double braided bands around the crown and brim.


My shop has a few other items available:









I do apologize for not producing millinery at the quantity I have in past years. Simultaneously, I feel I have no millinery motivation beyond the financial need to sell pieces and my hands not being able to keep up. I’m not sure if this is temporary or a long-term to permanent hiatus.

I stopped at an estate sale to look at one box I saw in photos. I came home with an album instead.
The album is about 1/3rd full with cdvs and a couple tintypes. It was one of 4 albums at the sale. The others being later 19th-century, 4 to a page, and marked higher.

It seems to be in good condition with a little discoloration on the hinges. One of which is lose. I’ll clean that up after I freeze it.
I took photos of each page. Here they are in order. Worth noting: Most of the visible backs show photographers from Albion, NY. Some shown here. No names are visible. The last photo has an upside-down back.






















I wrapped up my Pocket of the Month series at the end of 2024. For the past couple months, I’ve been toying with the idea of combining them into a collection in a single PDF. Then, I stumbled across a Victorian era catalog packed full of embroidery patterns. I just couldn’t resist playing with these patterns. I quickly found myself transforming them into whimsical pocket designs. This was just the right nudge to put the Pocket of the Month collection together.
I have two collections of pocket designs now available for you. I settled on $5 for each publication. Changed my mind. Each collection is in the Digital Whimsy section for $2.58. (Patreon patrons – You have access to the original Pocket of the Month files and both collections in Patreon.)
All pocket designs are laid out in 11″x17″ format. You can print them on a single 11″x17″ paper or tile print them on 8.5″x11″ paper or water soluble stabilizer.
I invite you to use your favorite embroidery techniques from any century to bring these designs to life. Adjust, adapt, or embellish as you need. I would love to see you share your finished pocket!
This collection includes 21 of the original Pocket of the Month designs, including hand embroidery and quilting designs. Most of the designs are drawn directly from period sources such as Godey’s Lady’s Book, Peterson’s Magazine, and needlework guides. I carefully adapted these motifs to suit pocket designs, ensuring they retained their historical essence. Other designs are entirely my own, including a couple purely modern, whimsical designs.
This collection includes 16 hand embroidery designs drawing from Briggs & Co.’s Patent Transferring Papers, ca 1880. This series of designs combines the style of the Victorian era and the practicality of the Georgian era pocket. It is very much a mixing of historical eras for whimsical fun. It is not meant to be purely true to either particular era.
Patreon Patrons – Please check Patreon. I need your help naming one of the publications!
Before anyone gets too excited, this is not a new book, nor a new workbook. This is a fun little something. No new book quite yet.
This whole week
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Including: To Net, or Not to Net – Paisley, Plaid, & Purled – From Field to Fashion – Victorian Fancy Work In Detail – Winter Hood Workbooks – Straw Bonnet Workbook – Winter Hood Patterns